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"The Rainbow Children" is the Prince album I've been waiting for for the past 5 years. (since Emancipation was released) It's cohesive, thematic, directed, and *crafted*
But it's already out-of-rotation in my cd player. Not exactly sure why. Maybe when I buy the retail copy and can experience better sound quality, then I'll play it much more...
I love that Prince is moving in a jazzier, more collaborative, band-type direction on album. Ths shit's been in development for years with the late 80's jazz influence (miles, sheila, lovesexy), Madhouse, the live shows and afterjams, and the great bandwork of the 94-95 NPG.
John Blackwell is a great drummer, Johnny Blackshire and Milenia are a great contrasting vocalist to Prince, Najee and the Hornheads are on point, and the inclusion of background vocals that are not Prince's really makes this album stand out in his catalog.
There are things I don't like: The content of some of the lyrics Some of the lyrics themselves (rhyming, cliches, etc) The computer-simulation voices "The Sensual Everafter" "Wedding Feast"
But there are many more things that are so incredible that overall, the album is damn good: "Everywhere" "She Loves Me 4 Me" "1+1+1=3" "Last December" "The Work" the Rhodes playing the bass guitar work the heavy use of guitar 2/3 of "Muse to the Pharaoh" etc
If Prince had whittled "Emancipation" down to two discs, then released "The Truth" then "The War" then "The Rainbow Children" then *maybe* I'd understand where the Prince.orgers and cultish Celebration goers are about...but as it stands...
The beauty of "The Rainbow Children" encouraged me to throw away my CDR's of the poppy chart-following NPGMC songs. There are great songs from the past four years, but they don't come close to meeting Prince's craft, potential, and value.
Music fans have been waiting for Prince to hit this sublime, above all, masterful musical and conceptual and artistic level ever since his success in the late 80's. He was off the track for a while, but "The Rainbow Children" is a step in the RIGHT direction.
The lyrics are being heavily debated by everyone who's paid attention. When you listen to the album, you don't really notice alot of the lyric content, though, and aside from the bassy, muddy Bob George voice, you can pretty much get by without paying them much heed.
Prince has always had simple, non-abstract, and direct lyrics about God, Sex, Music, and Himself. There's no change here, but he is reaching *a little* more towards artistic abstraction. There's still crap where he's rhyming fool with school and cool, but there's also lyrics like the bridge to "Muse 2 the Pharaoh".
It's a great album, but I'd probably give it an 8 on a scale of one to ten. I'm not even *trying* to compare it to anybody's earler work, including Stevie's, Sly's, D'Angelo's, or Prince's own...it's not a competition...music is not sports.
I'm glad Prince is doing minimal promotion and letting this be an underground and alternative thing. I hate seeing him pimp out to fuckin' Oprah and Jay Leno and MTV...he should be beyond that my now...and it seems that he finally is.
On the other hand, some of the NPGMC stuff that's been released this year (Judas Kiss, Props N Pounds) seems to have been done *after* "The Rainbow Children" was recorded, and seems to be heading off in another (wrong) direction completely.
We'll see what the future holds for his music. As for me, I had just about given up on Prince when he released a great, musical album...but that doesn't mean that I'll necessarily jump on any bandwagons or get excited about his other recent material...
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