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I was hesitant going in, not because of the subject matter (Browning's Freaks is actually my favorite movie ever) but because I heard Murphy was directing and he hasn't done that in a while. Visually, Alfonso Gomez-Rejon is who really brings the best out of this show, so not seeing him credited had me worried. That said, Murphy & co. knocked this shit right out of the park. Maybe it was the 90 minute runtime (which the network has allowed for next week as well because Ryan Murphy does whatever the fuck he wants) or maybe Murph Dawg's been taking notes on the fan complaints over the years, but this was paced much slower compared to prior premiere episodes and it benefitted greatly from the containment. Instead of throwing everything but the kitchen sink at us, he focused on a few major characters and developing a coherent set-up. We haven't even met Angela Bassett, Michael Chiklis, Emma Roberts or Dennis O'Hare's characters yet and they are all supposed to play a major role.
I'm torn between what my personal highlight was because as technically astounding and perfectly acted Sarah Paulson's character(s) is/are, I don't think a villain has genuinely creeped me out and stayed in my mind like John Carroll Lynch's Twisty The Clown. This character has the biggest air of mystery around him at the moment: what's his backstory? what's behind the mask? what are his motivations for killing? I'm intrigued, and also kinda scared to find out. Part of why I love this show so much is how it always keeps you guessing, and they definitely opened up with a ton of questions. Did anybody notice how Twisty did not blink once? That scared the crap out of me.
Tonally, this thing is super dark. Like, Asylum dark. Stylistically? It's very lush and colorful, lots of pastels and great period imagery and set-pieces. Maybe Murphy works best when he's doing period stuff and can avoid awkward bits of dialouge like Lange's Twitter reference from last season or Emma Roberts' Eminem reference. Kathy Bates' character isn't as immediately striking as Delphine from last season, but given that this season seems to have a slower and more deliberate pace to it, I'm not willing to immediately write her off as a disappointment, especially since her main antagonist (Chiklis) haven't even arrived yet. I wonder if there will be any other references/through-lines to Asylum in here. Was cool seeing Pepper return.
We're in for a few musical numbers this season, it seems. Lange's "Life On Mars" cover didn't take me out of it, but it was kinda painful to listen to and I loved "The Name Game" and Stevie Nicks stuff last season, albeit however cheesy it was. Maybe that was the point, because Conroy roasted her afterwards. Not sure what Lange's characters real motivations are at the moment, but she's delivering another great performance thus far. The preview for next week shows Paulson (bae) doing a cover of "Criminal" by Fiona Apple and Conroy buying Twisty The Clown for her son. Really excited to see where all this shit goes. Hats off to Murph Dawg and the whole crew. Next week, Gomez-Rejon is up at bat. *evil grin* Esteemed author of the celebrated, double-platinum post: "Drake - Wu-Tang Forever".
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