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High Maintenance (HBO) seems like no one's watching this one (I almost didn't because of the premise), but it's a damn gem. beautiful, believable snapshots in perfect 30 minute bites.
Search Party (TBS) this is getting some critical love, but not enough. they turn some cliches on their head in brilliant ways. fantastic acting from John Reynolds as the boyfriend who starts the season as a cartoonish stereotype but ends up rounding out into a layered, fully-realized character.
Better Things (FX) it's a god damn travesty that this got instantly labeled and written off as "female Louie." CK's fingerprints are on it, but it's as much owned by Adlon, who finally gets the show she's deserved forever. the acting is great all around but the three daughters OWN their roles.
The People v. O.J. Simpson: American Crime Story (FX) not sure if this was good or ridiculous (probably both), but i couldn't stop watching it. there were laugh-out-loud moments in almost every episode, and you can't say the cast didn't give it their all.
Atlanta (FX) inventive. authentic. thoughtful. feels like this was the year black television left lazy stereotypes behind and truly matured. along with "Insecure," this one lead the way.
Silicon Valley (HBO) goddamn pitch-perfect roasting of bay area startup culture that still manages to organically build characters you actually give a damn about. easily the best "classic" sitcom on tv.
Last Chance U (Netflix) real life "Friday Night Lights." the "characters" they were able to capture in one season of filming at a tiny community college is stunning. i devour any sports-related documentaries and this is among the best i've ever seen.
Horace and Pete (Online/Hulu) yeah, it's sad. deliciously so. but how can you not admire the balls to even attempt this? Alan Alda CRUSHES and the writing is beautiful and, at times, shockingly personal.
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not quite:
Westworld (HBO) there are gaping plot holes, sloppy resolutions, and wildly uneven pacing and acting throughout. the world-building is intriguing enough to stick it out, but this one had major flaws.
The Night Of (HBO) a cartoonishly absurd resolution ruined what was, in the first few episodes, a beautifully shot, expertly acted, unflinchingly authentic re-envisioning of the american crime procedural.
Veep (HBO) the reigning queen of tv comedy took a step back this year with a couple awkward/strained framing devices and a general feeling of relentless cruelty (we all come to Veep for the douchebag dialogue, but they leaned too heavily away from the funny for my tastes)
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