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>>4 Months, 3 Weeks, 2 Days >Yeah, I've turned into a regular HE-reader, so this one's been >on my radar for a while. If I had to make a blind wager, I >would say this wins the Oscar for Foreign Film (while my slow >ass still needs to see last year's The Lives of Others).
Atonement goes in the Best Pic category not the Best Foreign Film one 'cause it's in English? No Atonement, then 4 Months... does look like the frontrunner.
There's this great Romanian flick from '05 "The Death of Mister Lazarescu" that's a critical darling. I love it. Small masterpiece. Starts out kinda rough w/ Bourne Ultimatum-type shakiness, but that lasted only a minute or 2. Near perfect. It has the one of the worst trailers (marketing-wise) ever. I've done missionary work here in PTP for it; nah, more like, had a booth at a trade/craft convention and everyone, but a few, walked by w/o stopping.
>>My Blueberry Nights >On the other hand, the aforementioned Mr. >Doyle is absent, right?
Khondji is no slouch, though. I would guess he has influenced contemporary cinematography; just a guess.
>How does WKW's pre-CD work, >picture-wise at least, compare to everything else (I've never >gone back further in his catalog than Chung King Express).
The non-Doyle works (1st story/half of Chungking; 2/3 of the production time of ITMFL; parts of 2046; the BMW film) is great, too. As for pre-Chungking, Kino DVDs transfers aren't Criterion level. With that said, Days of Being Wild is pretty good, but lacks the correct color according to Doyle. As Tears Go By looks like your typical poor-transfer of an 80s Triad flick, the step-printing (strobe, blurry, slow-mo) was there before Doyle, though.
>>The Dark Knight >Christian Bale >seems more and more like a caricature with every role he takes >on (dark and sullen, dark and sullen, sullen and dark),
See him in Rescue Dawn.
>Nolan seems happy accommodating with moody pieces and dreary >art to lasso in any and all fanboys still miffed that Tim >Burton was once playful with their precious little cartoon >stories. . . . Wow, that's some hate, and admittedly I have >yet to see Begins (though for precisely those same reasons
I'm not a comic book fan at all. Batman Begins was great entertainment, not perfect, but great. I was surprised.
>>Snow Angels >An '07 Sundance release with a star like Kate Beckinsale >getting an '08 release doesn't bode well, does it?
Delayed releases even w/ star power doesn't necessarily speak of the quality of the flick. It could turn out to be a clunker, but just saying.
>I thought >George Washington was fantastic, but I haven't been driven to >watch it since the first time through; subsequently, I've >slept on everything DGG has done since then. Is All the Real >Girls a good spot to get caught back up?
ATRG and Undertow aren't as good as GW, IMHO. Hmmm, if you're emotionally raw, indecisive, or fresh off a bad relationship for whatever reaons, ATRG could resonate. Some worthwhile moments. It doesn't hide the fact that it's a work that looks to connect emotionally so, if you're not on that wavelength, Undertow is a pretty solid genre flick. Don't let the opening credits fool you. Leisurely exposition like the old days, but when it gets going, it's solid.
>>Funny Games
Have you seen the red-band trailer?: http://twitchfilm.net/site/view/funny-games-remake-pushed-to-march-the-consolation-red-band-trailer/
I don't know if I'll catch it, though, to be honest.
> The director Haneke got a couple nods in your "2000's post", >right?
For Cache mostly w/ just 1 mention of Code Unknown, I think.
>Is the Funny Games original where to start?
Hard to say. I've read conflicting reports - he's making changes; he's not. I think the gist and tone will remain the same, though, no matter what route he took.
>>Hellboy 2: The Golden Army >Conversely, the first Hellboy, which >I saw unwittingly,
Saw it over at my cousin's place. Again, I'm not a comic guy at all, but shit was pretty good.
>and even Pan's Labyrinth did nothing for me.
Couldn't help, but think of the matchless Spirit of the Beehive?
>I appreciate that Del Toro has a strong imaginative >sense, both in terms of story and in visual quality, but >overboard fantasy, comic book, horror movies never really >moved me.
Yea, I'm w/ you, that stuff isn't my thing, but I think it's pretty boring if I just seek out my kind of stuff, ya know. For the most part, I'm on a "what's the director gonna do next" vibe. Not really sure if I'll catch this, either.
>Damn, man, every time that I think I have a slight grasp on >what's going on with movies, you make me feel like I've missed >whole entire semesters.
If you read all those sites that do festival reports regularly, then you should be up to date, no sweat, 'cause the same titles pop up w/ regularity.
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