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>>>nope...but if that's what it takes to truly appreciate >>>them...then how dope are they? >>> >>>and that's no dis to 3Ft or DLSID...that question applies >to >>>all these classics. >> >>I mean I think all three are top-shelf, however I think some >>of these 89-91 'sonic collage' heavy-sample albums are >harder >>for ears(De La's first two, It Takes A Nation, Fear Of A >Black >>Planet, Sex Packets) that didn't grow with them to >accomplish >>because post-Biz-Markie lawsuit records like this weren't >>really able to exist & could sound obtuse to later >generations >>of ears. >> >You may have a point. I just can't get into It Takes a >Nation...it's just too chaotic for me, and the elements of >each track don't seem to agree imo. I like the rest of those >albums you named a lot, though...I guess my thing with De La's >first two is that they're like variety shows...almost similar >to the flow of other Prince Paul stuff like Psychoanalysis or >Chris Rock's Bigger and Blacker. Sure, the De La skits are >technically short songs, but as far as the "meat" of those >records are concerned...to me, BMS is like...95% meat, with >the Prince Paul antics built in to the songs...while 3Ft & >DLSID are about 50% and 65% meat to me, respectively. > I didn't love Paul's solos because to me that was where it went to much into skits/story, I don't really know Psychoanalysis but speaking on Prince Among Thieves or Politics of the Business.
However I love that first Handsome Boy album to death, it flows more like those early De La records.
Little half-songs/interludes like 'Transmissions'/'Do As De La Does'/'Hey Love' kinda work as bridges between songs that add to the overall picture that's being painted on the album.
Skits were the death of momentum on countless rap albums throughout the 90's/early-00's but the first two De La's, 36 Chambers, Cuban Linx, Ironman, Liquid Swords & Muddy Waters actually work for me.
>>On a given day any of the first three can be their best to >me, >>it's the kids saying Stakes Is High or Grind Date are De >La's >>best that I can't abide. >> >I would've been with you a couple years ago, but now I might >be willing to hear a case for Stakes (Pos is a beeeeaast). >Grind Date is dope too, but nah. > Pos is always gonna be a beast but yeah I can't go there.
>>To me De La were at their best with Prince Paul when there >was >>still the bugged-out inside-jokey prankster vibe to their >>stuff. >> >>'Is Dead' was probably the peak of that style, 'Buhloone' >>stripped some of that down & added a bit more live >musicality >>but still retained that fun-loving & mischievous essence. >> > >I agree. That's how that style was perfected, for me. Don't >get me wrong, the songs always had it, but from 3Ft to BMS, I >think that essence you're talking about went from being >primarily expressed thru skits, to gradually being condensed >into the songs, which makes the album as a whole much stronger >and more focused, and gives each song a more layered feel. > That's fair.
>>After that, while still making some good music they sorta >>became the old-before-their-time, occasionally preachy >>caretakers of 'real hip-hop' when the reality is what made >>them so exciting/interesting in the first place was how off >>the grid from the genre's standards/ethos they were in the >>early days. >> > >Totally agree. And the irony of that is, when rap vets make >those "make hip hop fun again" records...they rarely return to >the vibe that the song laments the loss of. >
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