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>means to me that you did not pay attention to the film
yeah. plus i dum.
>Riggs (Keaton) wants validation as an artist on Broadway, and >not just some entertainer hack fallen out with the Hollywood >system.
oh. right. i had confused this w/Spiderman, dude.
>he gets that through his play, Carver's short story. the play >Keaton, Watts, and Ed Norton are performing within the movie. > > >He gets that.
well i sure didn't! thanks.
>If it's real and he's dead, his spirit is free and his >daughter understands that. All the psychological torment he >went through in the movie, talking to the Birdman, trashing >his room, on the verge of being broke, coming to terms with >his failed relationship with his former wife. No Mas
plus he's burning in hell. b/c he's a sinner.
>if it's symbolic, metaphorical, and he truly is flying within >the movie, the surreality has been established
you mean like on Real Housewives?
>but the movie is beyond that, it's about what artist endure >and sacrifice to make art with the capital A, and how and when >they compromise to appease the system
yes. and homie was fighting for his soul b/c he'd sold it to Hollywood w/the Birdman work.
>again, it wasn't a cop out, probably a bad choice, but cop out >def not
word. fuck you.
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