1. "isnt that the one with the off time playlist?" In response to Reply # 0 Wed May-17-06 05:51 PM by Von Pea
the playlist doesnt lock in (quantize) and that makes it wack
i dont know much about the specifics of FL but i use studio 4 and as far as what it can and cant do i do all of my effects in coolpro and all my trimming and shit manually
don't think its sounds different... i'm still learning it actually but i do know that if you wanna sound any kinda "original" or have your own identity, find/buy some sounds or learn to filter/add effects so that you can't tell it was a preset...
Monster_Zero Member since Feb 19th 2004 16277 posts
Wed May-17-06 05:59 PM
4. "i feel but it's like it doesn't hit as hard as my other stuff" In response to Reply # 2
my basslines were thicker without alot of other noise when filtered adn obviusly you have you filter everything seperately. I just seems flat in general
18. "Screenshots for you" In response to Reply # 13
I'm using the 3osc joint, but just using the first oscillator and turning down the other 2. I'm assuming you were using some noisy sample in sampler, or some noisy preset in some synth, so I use the saw wave form. Here is a pic of the whole thing including how I am routing the synth to fx channel 1, and using the fruity parametric eq. I'm not even going to f' with the filter in the actual synth so I leave the cut off wide open on that.
Next I am going to show you details of what I am doing with the parametic eq. First I select a high self and bring it's level down several dB, and leave the freq. up high, and give a crook in it's Q, just so you can see what I am using first. I also got a low pass on there, but I am just leaving it's freq/cutoff wide open for now
Next I am turning the freq of the high shelf down, so you I can hunt for a range where it's cutting off mud and stuff from the oscillator, but still letting some higher freq harmonics through, that you can barely here (still sounds raspy)
Then finally I bring the low pass filter's freq down to a few hunnid Hz, so it's still letting through some higher harmonics but it's not as raspy. So that way you get your low end, and a little bit of higher harmonics for the "clock radio speakers" crew to vibe off of.
Keep in mind you never told me if you was using a bass patch from a synth or from a sampler, so I am using the most noisiest brashest wave form I know to show you me point and stuff.
Peace.
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Whats the difference? I'm on 4 now and have been flirting with the idea of moving to 6, but with what I do with it, I dont see the real benefit, unless theres somethin I'm missing...
27. "FL 6 can chop off parts of playlist blocks" In response to Reply # 0
things like that are the biggest improvement over 4&5. But it seems to me that I lose a little on the low end, maybe I'm the only one, but I have 6 on my PC and 4 on my laptop and I may ahve to just go back to 4 on my PC because that's where I do most mixing anyway.
29. "one of the main differences is the overall output" In response to Reply # 0
it's now way easier for your track to peak over 0.0db - before (i've been using them since ver. 2)you could never make a track peak over 0.0db - now it's more 'realistic' and responsive...meaninh you actually have to use compression and eq in a more 'real' studio way... _____________________________ BACK UP IN THIS! SUP OKP!
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