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Why am I looking forward to Waist Deep?
What I am not looking forward to: Tyrese What I am looking forward to: Meagan Good
What I am not looking forward to: "from the director of Glitter" What I am looking forward to: "from the director of Gridlock'd"
What I am not looking forward to: the trailer features the "character screams, extreme pan out" cliché What I am looking forward to: the trailer features a number of workable scenarios
What pushed me over: Okay, so you got this guy who goes to prison for a while, comes back, wants to make a better life for he and his estranged son, but gets jacked, son gets kidnapped, and he's forced back into his old ways. He then gets mixed up with a very attractive, but possibly two-faced, female character. Together they gotta go by all means necessary to find some funds to save the kid, which entails a couple bank robberies along the way. At the same time, the both of 'em aim to take down this ultra-villain type, who's so bad they just named him "Big Meat." Recap: R&B and MG got The Game and the cops on 'em simultaneously, with the reminder of what happens if you slip (the gavel or the glock) to keep 'em moving.
Within this structure, there's more than enough room to say and do a couple really cool things. Themes of redemption, desperation, family, trust, lust, evil, authority, criminality, etc. can all be expanded on, if they have a good enough script, into something worthwhile. Plus, there are the great character archetypes (avenging hero, powerful villain, suspect damsel, Larenz Tate) and a enough room for action (bank robberies, car chases, shootouts) to provide a nice portion of on-screen violence. All I'm saying is although these scenes and ideas are nothing new, and probably won't be turned on their head, there's enough room to make for a compelling movie, a solid genre flick, at least.
Counterpoint: if you remember Gridlock'd, the villain character and the "action" moments were the most contrived and least well-handled, which suggests that maybe Curtis-Hall can't handle this type of movie, but . .
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