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I mean, everything you point out about how the plays were so consistent I can turn around and point out how improbable it was that a random dude who worked at a theatre would have that exxtensive a global knowledge, knowledge of several languages, knowledge of history, all this information that only the elite of the elites were privy to.
Like I said, wasn't no google back then.
Regala Brit cats didn't even know who the MOORS WERE. This cat not only knew who the Moors were, he knew it well enough to craft an entire play around, that nailed the nuances of race and racism.
Dude had to have been extraordinarily well educated to know all that.
Francis Bacon was one of the most learned cats of that era. Sure his schtic was philosophy of science/epistemology, but I'm saying tho.
Man, I dunno.
>cuz think. NOBODY wrote about this in any >memoirs/diaries/family secrets/anything. You'd think someone >EVENTUALLY woulda wanted to come out and say they were part of >this landmark in literature and drama. > >Also, there's proof a man named William Shakespeare who was a >writer who existed in that era worked with the Globe Theater. >Is it possible he's just the puppet for all the other >playwrights? Sure. But again, it's tricky to pull off for so >long. > >FINALLY, there are so many similarities in all of the texts in >styles, in the evolution of the language and the prose/iambic >pentameter, in content, in character similarities, in >references to previous plays... > >...like I said, it's possible. And with Shakespeare being my >specialty, I've read theories like yours. And there's some >convincing things going on in those writings. > >I just think it's too hard to pull off how tightly knit the >complete works are and to keep this secret for so long. Throw >in there's a real William Shakespeare who worked for the Globe >who would've had to be involved, and he was gettin the glory >as these other guys get swept under the rug? > >It's just improbable to me. Possible, but improbable.
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