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>NOOOOOOOPE!!!! this is that same lame ass tactic niggas always >use on this board...set up another premise from the one you >need to be addressing and pretend that's the one that's been >offered to you. WELL, NO!
here is the original post made by jeanlouis:
>yeah, I know some people are going to give me the "Duh". but >I just think that a lot of people really arent getting their >due. Yeah, I dont know the full story of who turned down what >role and why so and so is taking such silly roles, but I dont >understand why Don Cheadle isnt in a major film as the lead. >I don't understand why Morris Chesnut, after all these years, >is still just the fifth name in a mixed race movie. Why hasnt >hallie had anything credible since her OScar? Why does it >seem that Will and Denzel are the only actors getting major >roles? Am I right, or am I missing something?
the question was about why Morris Chestnutt has not played more significant leading roles in Hollywood movies. THAT is what it's about... not whether or not he is a "good actor."
if YOU are interested in discussing the merits of Mr. Chestnutt's acting, that is fine. make your post about it... but don't advertise the post as being a spinoff of jeanlouis's post and then get mad when i point out that that's not what jeanlouis was even talking about.
>my point is "there are PLENTY of incredibly talented black >folk in BLACK MOVIES THAT Y'ALL THINK YOU'RE TOO GOOD TO GO >SEE that y'all gonna be jockin in a few years soon as they get >put in a mainstream joint..."
if that's your point, fine. it wasn't the point of the post you claim to be spinning off of, but that's okay.
and to respond to your point: me personally... i'm not interested in watching (what i think of as) bad movies, whether they are black or white. i'm sure there are many great actors in bad movies, waiting for their big break to work with better material.
when they ARE in better material, i will watch them. and i won't apologize for not spending my money on bad movies just because they were in them.
>morris chestnutt is black and he HAS BEEN the lead in BLACK >MOVIES. see, that's the kinda mentality we dealing with here. >because he ain't the lead in movies YOU want to see that means >he's not a leading man. fuck outta here. i already made the >point that there are really only two black leading men, so >what the fuck are you talking about?
the question here is "what are YOU talking about, Bags?" (see above)
>>based on his past work/box office, the answer is NO. > >muhfucka, besides will and d-dub, what black man is. do you >really think you got a fuckin point here?
exactly. and that was the answer jeanlouis got in the post that you are supposedly piggybacking off of here... but for some reason, he didn't accept that and neither did you.
but now, all of a sudden, you are AGREEING with the post that "people like me" were making in the other post.
so... what ARE you talking about here, Bags?
>>Don Cheadle got plenty of acclaim for Devil in a Blue Dress >>because he put in a good performance in a good movie. > >where was the hardware, muhfucka? shit, sean nelson got >"acclaim" in fresh...he ain't get no hardware.
what do you mean by "hardware"? statues?
>>if he didn't get acclaim for Meteor Man, it's because he put >>in a .... > >meteor man was a piece of shit. i was just being silly to make >people mad at that point...and the point is I SAW IT, because >i support black cinema. period. all these excuses about "oh, >it's not good...i ain't paying my money for something that >ain't good"...fuck outta here. y'all go see NOT GOOD shit >every friday.
and herein lies the crux of the issue (besides your tendency to say stupid shit just "to get people mad" and then expect to be taken seriously):
the central ideological dilemma that we are facing here - and that we face in just about every discussion about Black cinema - is whether or not we should be "supporting Black cinema" unconditionally.
you say yes. bignick says no. me... i say that i'm not a rich man and i got a lot of movies i want to see, but i don't have unlimited loot to spend on movies that i don't think are good or i'm not interested in, just because "support" Black cinema.
10 years ago, i had the exact same point of view that you do, though. i watched every goddam thing that could be described as a "Black movie" and i aggressively encouraged other people to do the same.
i remember the exact moment i stopped doing that, though: it was when that email circulated around the Black community urging people to "support" Trois.
i'm sure you've seen that movie, so i don't have to tell you what a mess that turned out to be, on multiple levels.
to cut a long story short, though, from that day i resolved that i will support Black movies (and ALL movies) based on their merit. because watching any piece of mess just because it's got niggers in it does NOT make for better Black films. >>and if he didn't get enough acclaim for Devil in a Blue >Dress, >>it's because enough people didn't see that movie when it >first >>came out. > >*SMH* you are making my point, man. exactly, right. enough >people didn't see it when it came out. it was a "BLACK" >movie.
now... your experience might be different from mine, but i clearly remember when that movie came out. i was begging everybody to see it, not just because it was a Black film, but because it was a "non-hood" Black film, and was actually pretty good.
i was able to encourage a lot of white people to check it out... but most Black people in my age group that i talked to about it refused to see it not because it was a Black film, but because it was the "wrong" kind of Black film for them.
"i don't watch classics," was something i heard a lot of people say.
by "classics," they meant movies that were either old or were set in an "old" period. shit that's not contemporary... shit that don't have a hip-hop soundtrack.
let's be real... you remember the 90s, don't you? for a long time, it was kinda hard to get (young) Black audiences to support Black movies like Devil in a Blue Dress, The Glass Shield, and even Eve's Bayou (which a lot of people caught up with on video and cable, not in the theater).
it's not because they were Black films, though.
>>so now you're mad because people notice actors in their >>breakthrough movies? > >breakthrough? you mean WHITE FOLK APPROVED...you are making my >points for me.
no... it means that Boogie Nights was a much better movie than Meteor Man (which you admit was garbage), and the movie about The Goat wasn't even a theatrical release.
so yes... Boogie Nights was a great showcase for Don Cheadle of a kind that he had hardly gotten before. (even though white critics had praised him in Devil in a Blue Dress)
>nope. my point is y'all fake ass people cannot identify talent >for shit and y'all just instinctively shit on black hollywood. > > >>and that's silly. > >your mentality is toxic.
funny, because i also think your mentality is toxic... for quality Black movies.
and like i said, i used to be there... hell, if you search far enough back in the archives, you might even find some posts where i was expressing the kind of views that you are now.
but ultimately, i think that it just kinda leads to lower standards for Black people... which i find insulting.
i got no beef with anybody wanting to see a movie they know is sub-par just because it's got Black people, though. i LOVE seeing Black people on-screen. i used to watch all the UPN shows even though i knew they kinda sucked, just because i wanted to see my beautiful Black people on-screen.
but that was network TV, though... that shit's free. spending $10 on movie tickets to (what *I* think of as) sub-par Black movies? that shit adds up, brother...
(btw... Anthony Anderson gets major love for both his performances in Hustle & Flow and "The Shield"... are you gonna blame people for not giving him similar love for Kangaroo Jack or even Me, Myself and Irene?)
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http://fc03.deviantart.net/fs70/i/2010/287/6/c/the_wire_lineup__huge_download_by_dennisculver-d30s7vl.jpg The man who thinks at 50 the same way he did at 20 has wasted 30 years of his life - Muhammed Ali
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