|
>I fell in love with this film all over again last night. I >don't know what it was, but I was bored, so I just put it in >the DVD player and sat back.
First, check this site http://www.thegodfathertrilogy.net/cgi-bin/ultimatebb.cgi You'll find great discussions about the Godfather films. You'll find theories that you never thought of. People like to talk about Star Wars, but Godfather is where it's at! And read the novel, you won't be disappointed.
Simply, a gorgeous film to just lay your eyes on, great story, great acting, great directing, and fabulous music. I really don't think there's another film score that perfectly captures the essence of a film.
Ah, I agree with you. I posted on this film whenever posts talk about the greatest movies of all time, but they get no responses, shoot..it even lost to Goodfellas in the favorite mob movie poll on this board. There was a good post calling Godfather Part 2 "best damn movie period." I watch this film or part 2 probably once a month. Bravo is doing it justice by showing it on tv.
>Maybe it was because the room >was dark, and seeing the man appear from darkness talking >about his daughter just hit me...I don't know.
To me, the openings of GF and GF2 are the greatest in cinema history. It's not as technical as Fellini's "8 1/2" or other films, it's just simple and great, but think about it.....a great combo of the mournful trumpet followed by the greatest title screen, and you find yourself in the Don's dark office. Hell, part 2 is just as dope, when again the music starts it, and you see a close up of the Corleone caporegimes kissing Michael's hand, and the title screen. Not to forget, the lovely shot of the chair.
>Honestly, >The Godfather is the perfect combination of cinematic >storytelling I have ever seen.
Great story, and how it's told is genius. It has recycled elements such as an aging patriarch passing his power to one of his sons, family loyalty and betrayal, but it's done so well.
>Now I have met some people that don't care for or understand >this movie. Hey, it's a matter of taste, and I'm not here >to argue or convince anyone of my opinion.
I agree, it's a classy picture with a fabulous look, mood, acting, directing, music...and action and suspense...it's hard to figure out when people say it's not my taste, and they reply and say Scarface is a masterpiece...WTF!
>** Like I said, that introduction of the film was fantastic. > Just from a cinematography standpoint, I'm sure starting >the film in such a dark room was challenging. If you listen >to the commentary on the DVD, Francis Ford Coppola talks >about his DP (can't think of his name at the moment) and how >he shoots a lot of the scenes in low lit situations.
The cinematographer is Gordon Willis and he's known as the "Prince of Darkness" because of his work in the Trilogy. The colors are so beautiful...a lot of muted colors, dark with beautiful shades of brown, etc. The darkness is supposed to symbolize the Mafia's "dark underworld." Gordon Willis said he wanted to light it so that you couldn't see Brando's eyes. The perfect way to catch the cinematography is to turn off the light's and enjoy, especially Godfather part 2.
>** The intro again...the way Vito Corleone talks to the man. > This is probably Marlon Brando's best performance in my >opinion. He's sitting in his chair playfully playing with >this cat telling this man that he won't do his favor because >he hand't invited him over for tea. But you can see he's a >reasonable man, very negotiable, but firm. By the end of >the scene, you're almost scared of Vito...you don't know >what he's capable of.
This is my favorite scene in the whole Trilogy. Especially the slow zoom out, and the cut from Brando's back to his face...one of the best first appearances in a movie. Here's this powerful man only wanting friendship, and if you offer that and respect, he'll take care of you. For Brando's best performance I suggest "A Streetcar Named Desire" and "On the Waterfront", but Brando as Vito is my favorite!
>** The wedding. A brief introduction to all the characters >in the film. As Kay meets them, so do you.
Probably Coppola's greatest sequence. The complexity of introducing all the characters and interweaving the wedding outside w/ the Don's business in his dark office is briliant! I forgot what movie inspired this sequence. Ah, the wedding music!
>There are countless other areas this film is unbelievable >(Al Pacino's performance, the twists and turns of the >storyline, etc...), but I just wanted to touch on these >stand out scenes because if you can believe it, there are >some who have not seen it. If you haven't seen this film, >go see it.
I've seen this movie so many times that the suspense is gone since I know the story so well.
Every performance is great!...even the smaller roles such as Al Lettieri as Solozzo the Turk. Richard Castellano as Clemenza. Sterling Hayden as the dirty cop. Duvall is so underrated, it's a crime. Ah, Apollonia!
|