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Chapter 5 - Literary Rapists & Molesters
A serious threat to the art form are the Rapists. Their writing is never any good because it isn't personal to them. It is stolen from innocents, ideas taken from tragedies. They slam into the words and hold them down to the page whether they want to be there or not. They force their big pens into thin lines, too tight for their penetration; in doing so, they violate everything that is beautiful about the craft. These are the writers that have been hurt by someone else's words, and want the words to hurt back.
Rapists are stubborn, and write about dramas that they have created, only to give them a way to release their load. Trademarks of the Rapist include: writing about made up tragedies in a poor fashion, crumpled papers covered with the STDs of horrible line structure, blistered hands from frequent, fervent, furious writing, and scratches on their chests from words that fought back. The Rapist crowd shows no mercy to the work, and is always sure to get their orgasm--but they're never really satisfied.
A Poetic Molester, however, violates while smiling, making the experience seem "okay" for the victim. Gently, the Molester coaxes a victim into letting it in. There is no blood, no struggle. There are only words of comfort and understanding eyes, along with the overwhelming feeling in the victim's heart that something just isn't right. The Molester is more dangerous than the Rapist because the Molester is a sick writer. The Rapist will prey on stronger victims, because the struggle is greater and for this reason the lyrical orgasm is more powerful, and the victim is not being tricked, it is being raped. The Molester, however, is a sick writer who preys on innocence. The Molester doesn't reach orgasm while the victim is around. The Molester takes the things that it saw and felt and uses them after its victim is gone, to achieve the orgasm alone. The finished product is a mixture of things, mostly words of tragedy taken from the victim, and a little piece of innocence accompanied by a secret held between the Molester and its prey, until the prey is out of sight and the whole story is exposed. A typical Molester is a former Guilt Sufferer, who has run out of his own ideas.
-KnowOne
_________________________________________ "Too weird to live.... too rare to die..."
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