the slow burn worked for me because you get pulled into Colin Farell's story as he dives into finding out what is going on, and you wonder what he is looking for...did Yang record him doing or saying something crazy? As the curtains get pulled back I ended up questioning why I was framing Farell's character like that, when I realized his character was searching for something in himself, and since he couldn't find it, he turned to the androids memories to search. And he found it. And I found it. I love when a film can do that.

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One Hundred.