The production and arrangement on that is ridiculously good and he floats just right on it.
Feeling like the second half of the record as a whole is just a crazy streak but the whole thing is no joke.
On the conversation about his style and flow: All I'll say right now is his rhymes are super dense and the flow is relentlessly driving -- he doesn't take a break and doesn't let the listener do so either, and I think that makes it hard to find an anchor for your ears. You're literally trying to catch up line for line, verse for verse.
I've come to terms with not understanding half his slang (which I think half of it is shit he makes up, lol) and just enjoying finding new lines to admire on every listen. In the big picture though I find him pretty accessible - might not understand every line but get the gist of a verse or a track as a whole - and his subject matter is much more diverse and rich (imo) than a lot of other top tier folks right now.
I do get the whole thing about his flow being monotonous but he switches up here and there, usually to good effect. "Reasons" from The Bluest Note comes to mind, probably one of my favorite tracks from him: