>couldn't work the equipment so Marl hooked it up for them.
>How do we
>feel about that and is that a knock against Marl if that's
>true?
>

It's not a knock against Marley, because he still had to make sense of the records himself. It's not uncommon for an artist to come to the table with songs they want to sample, but it's the producer's job to make it real and give it the flavor.


>Diamond D used to give cats co-production credits for simply
>loaning
>him the album that he sampled from. How do we feel about
>that?
>

I think it's a gracious move on his part, but it's not exactly necessary.


>Rockwilder mentioned that he produced "Reservoir Dogs" for Jay
>but
>Erick Sermon got the credit because the check would be larger.
>OKP
>producers, are y'all cool with this? Would you do something
>like that
>if you were in that position?

Depends on how the split breaks down. If I make more money from the split than I would from putting my name on it, then that's something to think about. However me being who I am, the money wouldn't matter that much so I'd want the credit. Especially for a record like that, which most people think is the best on the album.

__________________________________________
CHOP-THESE-BITCHES!!!!
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Garhart Ivanhoe Poppwell
Un-OK'd moderator for The Lesson and Make The Music (yes, I do's work up in here, and in your asscrease if you run foul of this