Sup, world…Uncle Blak is little late but I had to come through for yall. Um…Happy New Year? Yeah, I can say that. So what resolutions or plans do you have for this year? You know they archive these monthly mags. My suggestion is to place your goals here in the thread. That way, down the line you could look at what you wanted to do or look back on what you did do, y’know. We’re starting off the year not with a Writer but with a Producer. He’s a behind the scene kinda cat who’s gathered somewhat of a cult following here on the boards. Ladies and Lady Lovers I bring to yall the amicable AUS…aka Young Will Smif. Let’s see what he’s talking about.


YM. So, how long have you been at making beats? Who and what served as your influence(s)?

Man, I started making beats I guess around 91-92. My parents got me a Yamaha psr 500 for Christmas. I think that was cool because I couldn't sample so I had to play all the loops out on the board. My parents have a library so deep that I could make a limitless amount of albums now. As far as influences, Q-Tip was always paramount because they way he flipped the jazz in his beats was just crazy to me. I had heard most of those records he sampled and I wanted to do the same thing. Then there was Jay Dee. Around 99-00 everything I was doing sounded like him.


YM. The other boards here at Okayplayer hold what's known as "SoundClash". Have you ever entered in any? Have you heard any of those cats’s material?

Well the SoundClash started in either October or November of 04 so I haven't entered any. I think it's a good concept, especially after the way it came about. The cat's that enter have all had some pretty dope ish. I don't go to the lesson like I used to. It's sorta like when I see ya'll reminisce about the golden days over here on freestyle. The magic has gone from the lesson.


YM. There's a lot of talent moving about this site, whether beatsmiths or emcees. Recently you did some stuff with a few other Freestyle Board veterans (yours truly did a lil'some over one of his joints). In an ideal setting, how would AUS pool all that talent? And create an album…I said album, that's right. What would be needed for such a project to come together, as the official "Okayplayer Experience"?

Man, that's a good one. I've done a lot of work behind the scenes with cats on the freestyle; they just haven't put it out or whatever. I'd love for the other beatmakers on the freestyle board, Jayare, Jack and Gsquared, Ric etc. to get up and collab with cats too. I think that all of the cats who have recorded with me will tell you I'm a hard ass in the studio, so my first thing would be to lure cats in. Once I get em there it's on. I just throw on beats, let the emcees pick and sling em in the booth. A lot of the things that I've done were just impromptu sessions while cats were loungin' in the studio. As far as an album though it would just take cats really coming to the booth on a mission and getting it done. I realize with the distance between all the contributors that it would be tough. I read somewhere that the reunion this year is in DC. I propose all freestyle board cats that go make a trip to Norfolk, Va, and we can get it on.


YM. Describe the AUS sound. Reason being, there are folks out there who live to dissect every twist and turn you make. People would say,"Oh...his snares are compressed like Tribe" or his drums sound real muddy…

My sound is throwback hip hop. I'm talking the shit we were banging say 92-96. Now is every beat I make along those lines, no. I really try to tailor beats to the emcees I'm making them for a lot of times. It's rare that I let an emcee come thru and just have his pick. Somebody will call and be like 'I need some beats' and I'll tell em to give me a week. The beats I give em are strictly for them. A lot of these people want that right now sound, so I dumb down and give em some ol'Kanye, Just Blaze, or Lil'Jon ish to shut em up then continue on with the throwback ish. It's funny you mention Tribe because I try to tailor a lot of my snares based on that sound.



YM. All of this for leisure or are you trying to really make something become of it.

It's a hobby that I can't get out of my system. I'm a corporate dude for real, suited up on business trips and taking conference calls. Then I got school, and than there's always the ladies. If something jumped off I'd get my money and fall back into the shadows.

YM. Real talk…how hard is it to get Amazin in the studio. Recently pulled MiracleRic and Frak into the booth too, right?

It's pretty tough. Lately he has been coming thru cause I give free time every Wednesday night. But before that it was pure hell. We'll see how he acts in 05. Working with Frak and Ric was cool as hell. Them dudes wild out just like me. I have to say they got talent as well. I think everyone already was feelin' Frak's flow, but I didn't know what I was gonna get with Ric cause I had listened to some of his previous work. Needless to say he has progressed by leaps and bounds over the last year, and he came off in the booth. I hope they come down again soon.


YM. Any last bit of business we should know? Any advice for aspiring beatmakers out there? How could someone who isn't too familiar with your work check you out?

Yeah, in 05 I'ma get on the mic a lil more. Frak was dying for me to get on, but rhyming for me is like trying to get Zin in the booth. I'm really going to try and get all the projects I got going done this year. As far as beat makers, just be versatile, be able to do you and not give a damn about what people are saying, as long as it sounds good it's cool. As far as my work, my website is down for now sow you gotta hit up soundclick. Just type in Aus, or WonderAmaze, BeatSlanginPimps, or SAUSE and it will take you to some stuff. If you want to collab hit the inbox and we can do it. Thanks Blak for the love homie, I'ma be in Texas this month we gotta get up!!


YM. Definitely…

Watch for the red flag, doggie




you will like vicversus...


You know, some of us are better than most of us in some things, but none of us are better than all of us in everything.(c) Trick Daddy


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