>The dream sequences seek to trowel spackling paste over the
>cracks left in his character’s foundation; on the whole,
>they can (at best) be considered attractive wastes of time.
>They always give us more “what he fears” and never any
>“why he fears it.”
>
it was a wasted scene / waste of time

>>my G you better than this. you one of the last one's to pull
>>the "you know I can hate it and you can like it" out the
>bag.
>>full disclosure. Synder sucks. I hate most of his movies.
>Sups
>>and this are not one's i hate tho. yes I hated 300. at best
>>Synder is a mediocre director, which means he can make an
>>enjoyable film, like this one
>>
>
>Dude you like the movie. GREAT!!! I've learned that it's okay
>love something most people hate. There's stuff to like about
>this movie, it's just the negative outweighs the good here.
>
>I don't know why you're upset that I don't like this.
>
DUDE. that's what I'm saying about you. lol. i don't give a shit you don't like it. after your 45 posts in here i'm wondering why you think we don't get that you don't like it. i'm juss answering your questions
>
>>to your question the narrative tissue: it's easy:
>>-forlorn hyper masculine 1 percenter is critical of the new
>>advanced-humanoid species "protecting his planet" and is
>>thinking of ways to stop him
>>
>>-advanced-humanoid species is growing tired of a planet that
>>mistakes his idea of good as fascism. all advanced-humanoid
>>species wants to do is fuck his bella con el pelo rojo
>>
>>-in between them is a possibly big-brained techy
>hipster-dweed
>>with a overly convoluted plan to end both of them
>>
>>
>
>Why couldn't they make that simpler then? It was so much shit
>that muddled all that.

cause he sucks as a film maker fam. that's why