No wonder they had such a beef.


>How the rift with 9th came to be. 9th basically stopped
>touring with them and recording the music after the debut,
>Khrysis and Big Dho were more involved with actually recording
>the music after The Listening. Here is Phonte in an interview
>yesterday where he spoke on just the recording process(no
>beef).
>
>https://hiphopdx.com/news/id.52647/title.interview-little-brother-explains-why-they-kept-may-the-lord-watch-a-secret
>
>HipHopDX: I noticed you co-produced songs like “Right On
>Time,” “What I Came For” and “Sittin Alone,” among
>others. How was it juggling all of that? Was it different than
>other albums?
>
>Phonte: Yeah. It was different in some ways. I had always been
>a producer in Little Brother. I mean, I’m not a beat maker,
>but I produced like all the records, no matter who was making
>the beats. I was always very hands on in terms of producing,
>arranging and sequencing. The Listening — that was me, Pooh
>and 9th Wonder together. But everything that came after that
>— from Getback to Separate But Equal to the mixtape with DJ
>Drama and The Minstrel Show — I put those records together.
>That was me.
>
>I just want to make sure it’s funky. This time around it was
>different because me and Pooh, we recorded this record. I have
>my studio in my crib and so when we sat down, before we
>started, we just made the decision that we were going to do
>everything together. We’re going to do this together. This
>is going to be us.
>
>Every song we wrote together, so when he would come down to my
>house, he pretty much would move in. He’d come in and he’d
>stay in my guest room and we’d just get up and go get lunch,
>talk, listen to some tracks, bop some ideas around and might
>record something. I was also acting as engineer as well.