>Usually, in order for production or lyricism to be acclaimed,
>the entire package has to be celebrated.
>
>His point is that Madlib gives beats to mediocre emcees that
>in turn make mediocre projects with great madlib beats, so no
>one really checks it out like that.
>
>It makes sense if you think of what your favorite songs are
>production wise. 95% chance that the songs you think of are
>dope in every aspect
>



Still, when talking about how great a beatmaker is, we're talking about the
beats alone. What you describe above is how to preserve the sheep mentality
of talking about who sold more and whatnot.