i lol every time i read it as well.

>>g-funk was sociopathic easy listening.
>>took everything that was hard, rebellious, and fun about
>>parliament-funkadelic
>>and removed it. it was the hip hop equilivant of Kenny G.
>>
>>what's worse, it was omnipresent in a way MIA never was.
>>and it tricked millions of people into believing
>>it was an update of george clinton's sound.
>
>I damn near feel the same thing about Dr. Dre's Parliament
>traceovers sometimes, absent "Let Me Ride", which was a good
>use (remake?) of "Mothership Connection" for the beat.
>


there are some g-funk things i dig. reluctantly, but i dig it nonetheless.
but mostly, i hate it.

agreed on the cube p-funk samples.
dead on it about digital underground.
THAT is dr. funkenstein.
dre was sir nose, d'void of funk.





>But shit like the Chronic theme which traces over "P-Funk
>(Wants To Get Funked Up)", all the "Knee Deep" and "Atomic
>Dog" traces for Snoop, NWA's "Niggaz 4 Life" with "Sir Nose
>D'Voidoffunk" (good thing the verses were funny...
>particularly Dre's).... and what was even worse, when Ice Cube
>and others started copying that shit ("Bop Gun" was the worst
>to me... just straight rapping over a remake of "One Nation
>Under A Groove")... man. That was Puffy before Puffy.
>
>Cube had better Parliament SAMPLES in his work (and that of
>the Boogie Men) than the interpolations/redos/cashing in on
>1970s nostalgia that was going on back then. Now you talk
>about some shit that didn't age?
>
>and I love the beat, but "Ain't No Fun" was a great example of
>what I call pissin' on sunshine. Sociopathic Easy Listening,
>indeed.
>
>I think Shock G did a much better update of what Parliament
>and Funkadelic were doing without all the outright "tracing"
>of the old shit. I mean, look at Digital Underground. That
>shit was hip-hop Parliament right there.