>I'd agree but that wouldn't explain why he drops singles to
>radio and when nobody gives a fuck he pulls the 'it's not
>mixed' card

Hey, he's gotta save face somehow; or at least try, lol. I won't go into detail with that. But again, when nobody gives a fuck, what should he do? Just put out what he has and get a dud, or go back to the lab and keep working until he finds something that can hit?


>and that's fine in my opinion, and I do think quality control
>is something we should see more of out of everyone, but the
>thing is you don't sign an artist then never work with them
>directly, especially after you say you've giving their work
>your attention 1oo%

Where is that information from? I mean I know he finished Statlanta with Stat Quo, I heard he had finished some work with Rakim before they just agreed it wasn't working out. I'm not sure where you get the "never work with them directly" part.

>his current sound is exhibit A-you get kick-snare-kick-snare
>pretty much every beat and some sort of bass hit and
>keys/synths
>niggas act like everything he does is divine but get mad at
>Primo for scratching hooks and using piano samples and shit,
>it's ridiculous
>

Valid point