it seems like disc 2 is much better than disc 1. this is possibly due to more double helix tracks

i think pl's words in mumu (at least i think it was pl) and a phrase from the boomkat write-up ("a beautifully crafted collage wrought from the signals of London pirate frequencies that don't exist, but ought to.") kind of broke (in a good way) my thinking about the way the songs are constructed. i find myself appreciating the album as a collection of references to older, pre-dubstep uk electronic music (that sounds reductive/derisive but it's not meant to be)