WE DID FOR THE LOVE MAN
ALL THESE KID JUST CARE ABOUT MONEY

there's been a grand sum of ZERO examples offered of producers who (inexplicably) think that making beats is some get-rich-quick scheme and have profited accordingly. if they exist at all, they're exceedingly rare.

people's motivations for making music are irrelevant. rakim got into rapping for the girls. does that somehow make him less noble than someone who got into music for the pure love of crafting harmonies?