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2431874, if i made my list, these might make it Posted by UncleClimax, Sun Sep-12-10 10:18 PM
surprised not to see RJD2's Deadringer on there since u seem to like instrumental shit...
>1. Radiohead - Kid A (2000) >It's been over nine years. Frankly, I'm all talked out and >have been for some time. I didn't even put up a fight when my >cousin dismissed it out of hand recently, having only heard it >once, years ago. However, anyone reading this has probably >heard Kid A already and formed their own opinion long ago, so >what more could I add that hasn't been said too many times >before? > >
>10. Madvillain - Madvillainy (2004) >Rarely do dream combos work out as well in reality as they do >in theory, but MF Doom and Madlib even managed to exceed >expectations. It may not be Doom at his deepest or 'Lib at his >most experimental, but it's a hell of an album. Here's to the >next. > > > > >16. Cannibal Ox - The Cold Vein (2001) >Dark, scary, depressing, and brilliant, I was a little late to >Can Ox's unique brand of cerebral street rap, coming to it >after falling in love with the production on El-P's Fantastic >Damage. The music on The Cold Vein is just as tense if not >more so, but the more accessible and adept yet creative and >experimental flows and lyrics anchor the album. One of the >other biggest disappointments of the decade in music is the >revelation of just how unlikely it is that Vast Aire, Vordul >Mega, and El-P will ever regroup for a sequel. > > > >17. Outkast - Stankonia (2000) >Even for me, it's easy to take this album for granted because >its singles are so deeply ingrained into popular culture and >the disc itself is full of so many songs and interludes, but >it's important to remember that this is Outkast still at their >creative zenith, making it look so easy trading smooth, >rapid-paced rhymes and taking influence from all over, >something we haven't truly gotten again from them in the >decade since. The title for their planned full reunion album, >The Hard 10, has taken on a new meaning. > > > > >20. Outkast - Speakerboxxx/The Love Below (2003) >Listening now I remember why I recommended this double album >to everybody back then. While Andre 3000 experimented (and I >say succeeded admirably) on his disc with singing, Big Boi >delivered on what he does best, zany, funky, but >street-credible dirty south rap. Between the two discs there >are so many winners, yet this appears to be a >Diamond-certified album that is actually underrated, at least >among hip-hop heads. > > > >21. Common - Like Water For Chocolate (2000) >This is another close call. I don't love this album as much as >I did at the beginning of the decade, but I still find it one >of the best rap albums I know, and I really do know every song >on here very well. This is the album where Common joined up >with The Roots Crew and Jay Dee, officially the Soulquarians, >and it sounds like the best of all three worlds. It's also the >last album where Com wasn't P.C. Note the homophobia on album >highlight "Dooinit" and references to "bitches" peppered >throughout the album. Nonetheless, Like Water For Chocolate >probably has Common's most tolerable musical love letters to >women, especially the breakout single, and still classic, "The >Light." > > > >22. Common - Electric Circus (2002) >For my tastes, I prefer Electric Circus these days. I give >LWFC the edge lyrically, but the weird, beautiful, seriously >bumpin' (when's the last time you heard that? ha) >electronic/hip-hop/soul music of EC appeals to me more. >Despite what some say, I think Com spits hard on this album, >too. I feel one of the most regrettable things in this decade >in music was Com's audience convincing him that he was too >different on this album, that it sucked, that he dressed >weird. They got their wish because he's never been the same >since, unfortunately. > > >32. J Dilla - Donuts (2006) >Despite how easy it plays, this album can be difficult to get >a handle on intellectually if you love hip-hop and other music >because of the length and treatment of the samples used. Is >this technically a megamix? Are these even beats? These were >among my first questions when I got into the album. As I >listened, new questions arose. Is this Dilla's best album? Is >this going to be a new trend in hip-hop? That last question >was quickly answered in a resounding yes!, but the rest isn't >so clear. I know this reads like the introductory paragraph of >the pamphlet handed out at gatherings of the Cult of J Dilla, >but just listen to the album. Closely. It has a message it >speaks to you, if you listen. > > > >33. Quasimoto - The Further Adventures Of Lord Quas (2005) >This album is mad. It's musically all over the place and full >of so many ideas it can be hard to keep up. A lot of people >don't like the funny voice affected by Madlib as the character >Quasimoto, but I love it both musically and conceptually. I >think the voice and the Melvin Van Peebles samples fit the >music perfectly, too, so much so that I've never wanted to >hear the instrumental versions of either album. > > > >34. Jay-Z - The Blueprint (2001) >This is big budget, blockbuster rap in every sense. Jay-Z >became a superstar here, but so did Kanye West and Just Blaze. >This album has long reached Kid A levels of overdiscussion and >overpraise, however. > > > >36. Radiohead - Amnesiac (2001) >With this following so quickly behind Kid A and consisting of >songs recorded at the same time, it's a little too easy to >dismiss Amnesiac. I don't advise it, as the highlights on this >album are just as good as those on Kid A. I do find the >"electronica" to be a little overcooked here, to the point of >ruining what was their best new song in their live set in >years, "I Might Be Wrong," a kink they finally worked out on >In Rainbows. The piano, strings, and horns that fill many of >the songs here help make them some of Radiohead's finest >moments. > > >39. D'Angelo - Voodoo (2000) >If Burial isn't ambient r&b, this is. I've always been >attracted to the creeping tones of this album and how pretty >melodies, simple but often profound lyrics, and even the funk >would cut through the murk. This album is so good I can almost >forgive D'Angelo for not releasing another one after. > > > >48. Air - Talkie Walkie (2004) >It's an album full of really pretty, catchy songs, some light, >some serious. There's probably more variety in mood and >instrumentation on this than any other Air album. > >
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