>>What about Marvin getting shot in the back of the car?
>
>He dressed the scene with camp dialogue, but he was still
>making a point about the undermining of violence.

yeah abit of one, but its basically just for the sake of dark humor.

>This was important to the plot. The whole miracle
>discussion. My point is that none of this violence is purely
>superficial. It's quite often profound.

Well Kill Bill isnt a sequel to his other films, this is an exploitation-kung-fu-spaghetti western. And the films hes paying tribute to change gears just like in Kill Bill.

>Come on. Some were awful. Like when Uma Thurman looks at the
>Pussy Wagon keys and says "fucker."

That wasnt a joke thats why.

I just don't find there's
>anything to think about in Kill Bill.

Probably because there isn't supposed to be besides the subject of revenge. Its a pure action movie.