it's no wonder that black'n white snuff films from Germany with clowns crying and dead chickens hanging from ceilings are considered "beautiful". I'm officially renouncing this forum lol

It's a wonder if Crouch ever gets a single, slightly warm kernal of fuckin popcorn...having spending all his time masturbating in his own notepad...all kinda ideas about the mental inner-workings of writers, directors, and their secret connections with this damn near OCCULTIC bullshit.

"Travoltas attempt at convincing Jackson's character that eating pork is ok is a reflection on how Elvis was telling the blackman how doing black-americana arts for a majority white audience is ok. Travolat's excusing himself to go to the bathroom is a representation of the white man raplacing himself as an artist...into a "safe haven" of CEO status, while Jackson's character falls into a dangerous position of 'holding down' his new position, which he ends up giving a NEW, less-experienced white criminal his money VOLUNTARILY anyway! Roth's character is the 'white trash' minstrel character who falls in love with the black-americanan art only AFTER Jackson makes it popular with the white-audience that Travolta's character was referring too!"

Travolta = Elvis
Jackson = Black-Americana artists of the 60's, 70's, 80's
Tim Roth = Eminem.
MANHOODLUM = vomits

Crouch's mom shoulda left a nipple in his mouth an extra 4 months.