20943, to address everyone.... Posted by TinkyWinky, Wed Sep-13-00 03:17 PM
starting with nahymsa: what you're saying is equivalent to saying "there's no reason to check for bambaataa or cold crush or kurtis blow or KRS-ONE or rakim because you can develop your flow, style, lyricism and approach by listening to mos def, common, kweli.... see the flaws in your argument? YOU may not like shakespeare, YOU (not just nahymsa, also k_orr and anybody else) may feel that he uses a dead form of english, that's YOUR opinion and YOU have a right to it. now, i love toni morrison, she's my favorite contemporary author. but shakespeare would write her into a corner, and what's more, joyce would write them both 6 feet under. overstand?
k_orr: i'm not knocking your feelings on this, but i don't consider these people my enemies. shit, i really LIKED some of my english teachers. seriously, you think they teach you calculus to brainwash you? did they brainwash me in 12th grade AP english by reading alexander pope, albert camus, shakespeare, chinua achebe, franz kafka, toni morrison, etc. etc.? no, these are things i value. non-european, non-western values are no less significant than european and western ones. but the reverse is true as well. as english speakers we can't afford to reject shakespeare simply because he's not politically correct. we can't throw keats aside because he didn't write anything regarding racial or social injustice. from some of the things i've heard on this site, you'd think every high school english class did a unit on "Mein Kampf."
janey, i think you've got the right idea here in your picasso analogy. to excel at anything, you must draw on all influences. i mean, who will have a stronger grounding in literary form and potency: someone who studies toni morrison, or someone who studies shakespeare AND toni morrison???
http://www.greatergood.com (hit two in one now)
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