127008, RE: Bingo you nailed it the "new guard" hasn't distinguished itself yet. Posted by Bombastic, Wed Jul-01-09 02:22 PM
>>There is no denying that he and many of his contemporaries >are >>the "old guard" so to speak. The problem that you're >>addressing is that there is essentially no "new guard" >yet... >> >>But how can anyone expect the stars from 15 years ago to >still >>carry this shit and be relevent? >> > > >In deed, when you look at it even cats like Jay Z, Mos Def, >Nas et al have been out recording for over 15 years (or nearly >that). Its like what KRS-One said on his epic "I'm Still #1" >-- 15 years down the line we'll be the old school artists. >Therefore at this point there a generation of listeners that >look upon the aforementioned in the same way some may look >upon KRS, Dougie Fresh, BDK, Rakim et al of another era before >their time. > > > >>which makes Its really rare that somebody can be at the >forefront of >>importance to his genre for multiple generations. >>One of the only people I can think of off top is Herbie >Hancock because he drastically reivented himself multiple >times. In the vast >>majority of cases though people either a)fall off b)become a >>self parody or c) become irrelevent because someone new >>renders them irrelevent. > >True indeed basically the point as I take it is no matter the >genre at some point the audience turns over to the point where >your music doesn't speak to them any more on their level. >Rarely can an artist transend and maintain relavence with a >generation of listeners other than those who sparked his/her >fame. > > >From a hip hop frame of reference KRS is the only one I know >that truly can still rock a crowd like he did in his "heyday". >And he's done it across 3 decades (80's, 90's, 2000's). >Although his albums in the last 2-3 years haven't quite had >the same punch as some of his early 2000's work. > > To me KRS' albums pretty much fell off a the point he broke with Jive. The productions feel low-budget and the hooks forced. He can still body a track (That's Not Hot, My Life, I Come Back, the Ridah Freestyle) but as for full album work since that point its been spotty.
But I highly respect the fact that he stays true to himself and never reduces himself to a nostalgia act. He really will be ripping a microphone until he's mothafuckin sixty.
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