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Netflix is no longer the brand it once was. With over seven-hundred films and television shows coming to the streaming site, it’s clearly quantity over quality. Jessica Jones is one of the best Marvel Netflix series bar none. With its Season 2 return, the mighty Defender takes a tumble that the other shows have. Spoilers from here on out for those who haven’t finished the series.
I like that the theme of the season is moving on and overcoming trauma after defeating your abuser. There are scenes and emotional turning points that nail it and would stand out more if this was eight episodes instead of thirteen. However, the story chosen to frame that theme around is not good. In choosing to explore how Jessica got her powers as well as maker her mother the villain is the tritest and tired story told in these type of superhero stories.
How Jessica got her powers, as well as her relationship with her mom, was one that not needed and did not jive well with bigger feminist themes that made the first season so strong (as well as what makes the best aspects of this season). You know it’s a problem when Malcom Ducasse, played wonderfully by Eka Darville, has the best arc out of all the characters this season. Even though Malcolm has recovered as a drug addict, he’s now traded that in as a sex addict. Watching that get in the way of business is hard as he proves himself resourceful as a private investigator. A better one than Jessica is. Carrie-Anne Moss as Jerri continues to be a highlight as her story this season is very good despite a couple of scenes that are utterly stupid. Her going to Brooklyn in the middle of the day to pick up a prostitute off the streets reeks of someone who’s only visited New York for a day tops.
The Netflix bloat hurts this second season as well as we have to watch a Jessica contend with a rival P.I., Trish (Rachel Taylor) having two arcs this season that feel like whiplash on how they change on a dime, the return of Will Simpson (Wil Traval) that’s an utter waste, Jess contending with two cops, and a new landlord love interest cause you know a girl just can’t be single for a while.
The wheel-spinning that people hated in the first season (I didn’t), here kills me. When we got to the end of episode twelve, the fact that Jessica is stalling on killing her mother got tiresome. I was not sold on Jess being this attached to her mother after everything they’ve been through this season. Janet McTeer is incredible as Jess’s mom Alisa, but her and the whole IGH mystery is so poorly written, it’s a crime.
Trish and her magic inhaler that she got was a bad McGuffin for an addict trying to overcome her insecurities and become special like Jessica. Despite Rachel Taylor being a great actor, I couldn’t give a shit less about Trish this season. She was such a strong character in not only the first season of Jessica Jones, but in The Defenders as well. By the season’s end, it looks like she’ll finally be Hellcat in whatever comes next.
The good things about this season is that Jessica is still a great character. Krysten Ritter continues to deliver on and build on a strong character. And smartly they lean more into the noir style and trappings this season. With that, the voiceover doesn’t work as instead of a stream of conscious enhancing the scene, it’s Jessica telling us what we already know as well as what’s unfolding on the screen. It reminded me of the very bad voiceover from the Blade Runner theatrical cut that’s explaining every single thing to you, holding your hand like a child.
One thing that’s been pointed out is how prestige television has set itself up to have thirteen episode runs. To the benefit of both Mad Men, Breaking Bad, and Better Call Saul is that they’re forty-five minutes, so they were able to keep that quality up. For things like The Sopranos and The Wire, David Chase and David Simon are so meticulous that they are able to fill out thirteen episodes with sprawling, personal stories that never make any season of either show feel bloated. In fact, HBO has moved away from thirteen to ten and the show are significantly better for it. Imagine Game of Thrones and Westworld with thirteen-episode seasons. Netflix needs to learn from this model as so far all of their shows have proven too long with Stranger Things being the exception. The Netflix bloat is becoming a problem with the storytelling. So much so, that the last season of Orange is the New Black (it’s fifth season), felt like one big bottle episode which worked in its favor. Frankly, all the Marvel Netflix shows have about eight episodes worth of story in them. Filling it out to thirteen has made for some really bad choices to extend arcs past their natural storytelling points.
If they couldn’t stick the landing on the second season of Jessica Jones, then I’m out. It would be cool to start exploring the relationship between her and Luke, but Jeph Loeb seems intent on not making that happen and for what? What’s more peculiar is the fact that Krysten says that a second season of The Defenders will not happen. What was the point of all this then? I’ll give The Punisher Season Two a shot as I trust Steve Lightfoot, but as it stands this will be my last review of Marvel Netflix until something changes.
Sure, the references to Captain America and The Raft are cool, but if you can’t tell a compelling story, then these shows are just not worth it.
------------------------------------------ America from 9:00 on: https://youtu.be/GUwLCQU10KQ
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