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Take it from the top,
- Verby vox choir and the dazzle quote + the uptempo drums was fun for a starter!
- Then you dropped the deep old bass and took it out again, only to drop it again. It sounds meaner than mean, but doesnt blend too well with the vocal chops IMHO...
- Then the claps and the fly-in-yo-ear synth came on, and I was like, yoo, where we goin with this one? Took it straight to radio speak over a nice mellow beat backdrop! Real sweet.
- Then theres the tapish pitchbended section with the machinery drums, sloppy as hell just as I like em lol... Was a trip! The drops from the various other sources, vox and extra layers wasnt spot on pitchwise, but Im guessin thats on purpose, or you just aint care lol...
- Then the dreamy sequence bridge with the ahh ah, ahh ahs and the superdope synthy starshine bubbly stuff goin into the solo vox quote with the turntable backspin at the end? - NICE! Real star of the show to me, is what comes next tho...
- Some ole early Roc A Fella beat comes in and takes the prize lol! Static and verby filtered bells/piano (or is that a synth?), nice acoustic soundin bass in the back, then the dry choir - perfection! Funny thing is, the way the drums is underplayed and filtered, plus the synth fxs turned it slowly into something real 2014ish... I dont know exactly how you did that, but the transformation was deep and wellplayed!
All in all, I enjoyed this in a whole nother way than "just" noddin my way thru another banger! Dont get me wrong, I love straightforward 90s soundin beats the most, but listening to your stuff is always somethin completely different! Its not so much a joint, as it is an EXPERIENCE, and thats real rare these days... I preciated the ride thru Dallas and the Cosmos. ----------------------------------
NEW Edo.G album FreEDOm coming soon!!!
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