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A culture exists, we just don't always know what the parameters are. Quest brought up a lot of these issues in his vulture series.
A real culture has to encompass more than a handful of elements; however, the fact that deejaying and rapping are a live today is evidence that the "culture" still exists. It bothers me that rapping, deejaying, breaking and graffiti were ever lumped together in the first place.
>just finished watching that video of peter rosenberg aka PMD, >or now as he's effectually known, "rose" discuss "hip-hop >culture" and what he and hot97 are doing to support it. > >here's the deal about "hip-hop"... > >"hip-hop" was something that happened in the late 70s in nyc. > >people bopping and spinning around on their backs... >tagging the insides and outsides of train cars... >scratching breakbeat records... >getting on the mic doing call and response or saying a routine >in front of a crowd... > >yeah, remember in the late 70's/early 80's when all of those >things were "new" and happening simultaneously in nyc? > >that was hip-hop, or hip-hop culture. > >at the very least, a minority-driven inner-city artistic and >style movement. > >it came and went. >you can argue the logistics of exactly when/why/how all of the >practices of "hip-hop" diverged but whatever date you accept >as being when the "hip-hop" movement ended - it has ended. > >rapping/rap music remains. >as in, people still kept rapping on backing instrumentals in a >fashion similar to what was popular in the "hip-hop" >movement. > >rapping remains... >but then again, so does dj-ing, breakdancing, graffiti. > >like all of the above, rapping and "hip-hop" were two related >but separate things. > >now, enough remedial bs everybody has heard before. > >gaudy displays of wealth, strippers, video hoes, gangs and >gang culture, drug selling and drug culture, gun violence, >prison and prison culture, twerk videos, bet, fight videos >with bystanders yelling "worldstar!", sneakers & clothes, the >latest slang... etc. > >none of these things are "hip-hop". > >they are collectively what comprises contemporary Black >culture. > >and that is merely what rap music is today. > >another facet of contemporary Black-American culture. > >we don't call it Hip-Hop twitter... it's Black twitter. > >the term "hip-hop" is almost like the term "urban"... >a sugar-coated diffusive misnomer. > >when people like damon dash recently on the combat jack >podcast or peter "rose" rosenberg, or whoever start talking >about "this culture", "our culture", "the culture" make no >mistake about it... >the term "hip-hop" may get used inaccurately as some >antiquated traditional term they're misusing for whatever >reason. > >they really are talking about 1 or more of these things: > >1) the showbiz/music business/marketing side of contemporary >mainstream rap music, which i colloquially refer to as "the >'hip-hop' industry". > >2) contemporary Black-american culture > >they are not however talking about the "hip-hop" movement nor >it's "culture". > >let's stop perpetually calling any and everything "hip-hop", a >term 35 years removed from it's advent. >please just retire the term by refraining from mislabeling >things as it. >this isn't a new evolutionary "phase" of "hip-hop" we expand >our definition to include - it's something completely >different. > >rap is rap. > >either invent a new term to accurately define today's >contemporary "movements" or throw it under the more-apt >all-encompassing header it falls under which is just Black >culture. > >i'm convinced i've made this thread at least once in the last >4 years, but like most of my topics it's still just as >relevant for discussion now as it was xx years ago because >nobody else is willing to address it. > >thank you for your time.
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