I've been noticin' that a lot of deez young'ns is foregoing danceability/style for power moves(ain't nothin' wrong wit power-moves but if you ain't dancin'/freakin' da rhythm den you ain't doin' shit!). They don't have to be polar opposites, B-Boyz/B-Girlz should aspire to optimize well-roundedness lest 1-dimensionality rear its head, which is exactly what happened ta Dude.
Babydoll won that battle 'cus she "out-danced" him.
"You can take an African out of Africa, but you can't take Africa out of the African" Afro-Americana/Afro-Caribbana/Afro-Latino unite. We are ALL Black!
4. "that sheeit was hella dope" In response to Reply # 0
Lil dude was workin' with some skills & swagger, but shorty just came @ him with ether ...
>http://www.youtube.com/watch?feature=player_embedded&v=5HrrbkYJM2M#! > >ββββ βββββββ >Big PEMFin H & z's >"I ain't no entertainer, and ain't trying to be one. I am 1 >thing, a musician." οΏ½ Miles > >"When the music stops he falls back in the abyss."
"You can take an African out of Africa, but you can't take Africa out of the African" Afro-Americana/Afro-Caribbana/Afro-Latino unite. We are ALL Black!
14. "Side discussion: I bet both of those kids" In response to Reply # 0
Know the history of their craft. They know all of the old b-boy's and b-girls and have watched footage of them. They pay homage to their history every time they step on stage. It's the continuation of legacy that's the most beautiful thing about it to me. A six year old girl across the atlantic that's studied Crazy Legs footwork... yeah that's peace right there.
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