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>LOL, good luck with this. There's people here who think hip >hop is in a golden age. I wouldn't be surprised if some of >these guys thought the Journey, Chicago soft rock era was the >best era of rock music. That's where hip hop is at right now, >music for girls.
lmmfao. I don't mind the "soft rock" Chicago, but '70s Chicago >>>>>>> ... without question. there's something distinctly "pop" about their strange meandering records early on in their career and throughout, but their popularity in those times to someone who first really became familiar with them in that "soft rock" era and knows a more stripped down "pop" sound in general, always blows my mind.
again, if you're looking at Drake type acts... I'll admit, I can deal with it if it's a Ross track, but Drake is more like an R&B artist/send up of an R&B artist who just happens to rap. kind of like the opposite of the image projected by New Jack Swing. which is funny because Drake isn't a bad rapper if you take away the Lil Wayne-ism in his voice.
>To answer your question, 97. Not just the Bad Boy garbage, No >Limit really started poppin in the mainstream with Ghetto D. >Shit started getting glossy in '95 and '96 but by '97, it was >a wrap.
I would agree. "Hip-hop" and I don't mean just the New York style of rap, I mean the whole idea of rapping on the merits of RAP MUSIC, not other shit, hit a wall in the mid-late '90s, coinciding with increased commercialization. hip-hop didn't die so much as the machine became aware of its revenue generating potential more and more. and today, when a dude like "Gunplay" is getting a major label deal... that shit is sick.
I think that today, outside of the mainstream, you are seeing a lot of records that are getting back to that idea. other genres will influence, but not USURP the "rapness" of these records. I won't hold up Lil B as being better than even the Rappin' Duke on the mic but what he's doing now is way better in concept than the goddamn shiny suit/let's get more spins on R&B radio shit. ditto for cats like Danny Brown. dude is straight out of an SNK fighting game and his rhyming style might get on some nerves, but I don't think "you know, this isn't rap music" when I hear it.
as ?uest, or was it someone else said, Puffy sold "us" out. before then, A&Rs didn't know what the fuck to do with rap. they basically thought, "hey, you're like those Sugar Hill guys? go make a record." Later it was, "oh, you're like those RUN-DMC guys? go make a record." By the time it got to the "oh, you're like those N.W.A. guys? well..." we were in trouble.
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