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when they go against the guidelines. sometimes that post or a reply to the post is well-written, and well, it can be a shame to see them go.
but rules are rules, and i will not hesitate to delete your ass if you break the rules.
<fascist prick>
what did you say?
uh..nevermind, anyway, as i was saying, someone started a new thread about CTHD. it got this reply - and i just couldn't let it disappear into the ether.
enjoy
s ck
so here now, with no further ado, is MISTERANONYMITY with his post, entitled.. 'SEE THIS MOVIE, TWICE!!'
That's what I would do if I had the money. It opened in Milwaukee last night, and it was incredible. It was at this art-house movie venue called the Oriental theater (fitting place to show such a movie, huh?), and it was PACKED!!! You'd think _Episode 1: The Phantom Menace_ was playing. But the movie itself was phenomenal. The most enjoyable aspect of the film was how it brought an ancient storytelling tradition into the 21st century. The storyline itself makes many references to ancient chinese folklore and the tradition of the warrior, as a young girl born into a royal family, soon to be married, steals an ancient sword so she can emulate the warriors that she has fantasized about for years. The film also focuses on the struggle between her discipline and her independence, as two warriors that she admires greatly (especially Shu Lien, played by Michelle Yeoh), offer her tutelage to become a disciplined warrior.
But this will be an important film not just for Asian cinema, but for international cinema as well. I predict that this will be the highest grossing foreign language film ever made (if it isn't already), and it will create a tolerance and demand for foreign language films (hopefully for African films, but that's way too much to ask for at this point. Check out California Newsreel <www.newsreel.org> to find out more developments about that). The popularity of the film is largely in part by the choreography of Yuen Wo Ping (_The Matrix_), with the assistance of wires and harnesses worn by the actors (digitally removed in the film). The action sequences put _The Matrix_ to shame (yeah, they're that fascinating). The audience gave a round of applause for a couple of sequences, something I've never experienced before (followed by a round of applause at the end of the film).
Lars von Trier's _Dancer in the Dark_ (with Bjork) hinted at a future for international cinema with its casting and shooting locations. Strong performances by Bjork, Catherine Denueve, and David Morse proves this even further, but _Crouching Tiger, Hidden Dragon_ is definitely a breakthrough achievement. Speaking of breakthroughs, Zhang Ziyi, who plays the princess Jen, steals the entire movie with her acting and physical capacity. If she doesn't get at least an Academy Award nomination, then burn, Hollywood, burn (I wish I could've saved it for a performance by a Black actor, but I just couldn't front on her). This could possibly be the first foreign-language film to win for Best Picture (It's already got the best Foreign Language film Oscar on lock). If so, remember who you heard this first from.
ma meudontno@hotmail.com (hit a brother up!!)
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