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>i've read all the posts and >it's time for me to >chime in...there are a lot >of fake ass hip-hop historians >and wannabe music critics on >this site...if u don't consider >yourself one of them then >please don't take that last >comment as a dis, instead >let's take this discussion to >the next level... > >tupac is arguably the greatest and >without a doubt at the >top of the summit...by whatever >means greatness is traditionally gauged..there >are a lot of irrational >tupac lovers, but there are >plenty more irrational tupac haters.. Greatness? That's a matter of opinion, but I'll agree with the second statement...there's irrationality on both sides of the coin > >emotion, language and intellectual violence are >inextricable when it comes to >hiphop and pac mastered the >art... OK, but intellectual violence? That sounds like an oxymoron Nevertheless, lets examine this...it's these arguments that people got a problem with...not that Pac wasn't good at this, but there are people that also showed the same (and some better) kind of skills and aren't even considered as Pac is. One could argue Sticky Fingaz for all of those reasons, and people would laugh it off. Why, if Sticky is showing the same traits listed? Just a question, but lets move on
>it wasn't about writing a sappy >song, but about polishing the >tale until it is as >though one is experiencing it >one's self Again, it's not the reason, it's the fact that to a lot of people, they've heard it done better. Polishing a tale (or storytelling as I interpret it) HAS been done better, by his arch-rival Christopher Wallace. Kool G. and Slick Rick have also told stories to the point where they could be written as movie scripts.
>pac united hip-hop from early on...through >his "same song" cameo it >was obvious that a star >was born...at the time flow >and cadence was different....many went >on to bite it This I can't agree with...I didn't listen to Same Song for 2Pac, I listen for ShockG, and I'm gonna make a stretch and say that a whole lot of people would agree with me. That's a stretch, it sounds like DU wanted to put their boy on a track, and he didn't fuck it up, that's the bottom line
>with the release of his first >album, before the thug life >era, he united hard heads >across the country...nobody had done >that since LL's early days...thugs >everywhere had an idol.. If you're talking about 2Pacalypse, I again disagree. He didn't unite the hiphop congregation. At the time of that release, there was the greatest hiphop divide. I'll be hardpressed to find a cat that didn't like Brenda's Got a Baby, but that album was by no means groundbreaking. A solid debut at best.
>but not only did he bring >authentic street persona he brought >an honesty that had never >been seen before (often imitated >but never duplicated) as well >as an impressive sensitivity.. >unlike nwa, krs-one and tooshort...pac's street >tales weren't in your face, >braggadoccio woof tickets with no >redemptive value (see 9mm goes >bang, gangsta, gangsta or freaky >tales) pac's tales were even >more poignant than ice cube's >solo work (in which he >struggles against insurmountable odds and >winds up screaming "my life >is fucked") "soulja's story", "trapped" >and "violent" told gritty, realistic >street tales with morals, value >and weren't preachy or corny...something >for the hard heads This is the realness argument that a lot of people talk about. A lot of Pac fans say that 2Pac is the best because he lived his rhymes. That is a faulty argument, because a huge majority of MC's have lived what they've rhymed about. One could effectively argue by that same rationale that Ice-T is the realest MC ever, because he's been rhyming about what he has lived from the robbing, to the stickup kid, to the pimping
>his honesty and sensitivity in joints >like "brenda's got a baby" >and "part-time mother" was unheard >of at the time...no rapper >ever said , "i'm scared" >or "i feel inadequate"..none even >came close until pac said >it...he touched on teenage pregnancy, >child molestation, fatherlessness, police -brutatlity, >drug abuse, alcoholism, prison and >his own contradictions all on >his first lp...that alone should >put him in the leauge >of artists that many hold >up to light... Unheard of? I seriously doubt that, although I'll check. You can make a correction that could hold weight, that he was one of the first MC's who made songs like that who was heard on such a large scale, but it sounds to me like he's rhyming about what he sees. Again, I seriously doubt he was the first to put out those kinds of songs, but I'll have to check
for women he >did what no emcee has >ever done and has yet >to do, which is show >keen awareness, insight and create >songs that expressed understanding and >created empathy...for "thugs" it was >the same thing...it can, however, >be argued that he relied >to heavily on his influences >to get his message across...many >of his song titles and >topics seemed to be ripped >straight out of an ice >cube dictionary...but pac made the >themes his own (while o'shea >jackson went on to morph >into the don mega) The first part of the argument can seemingly be said for LL, he did the same thing without losing his hardcore edge (at the time), and people have shot him down as the best. The second part of your argument can be used to take away from Pac, can be used to say that he lacked originality for his subject matter. Big deal Cube went on to do other projects, that doesn't mean that the original topics weren't bitten by Pac.
>on the next album he truly >came into his own...the question >in the streets was whether >he could come as hard >and authentic again..the answer was >a resounding, yes...he named the >album "strictly for my niggaz"...his >legal troubles gave him credibility >in the streets across the >us where thugs were wondering >if he was on the >level..he wasn't leading a rebellion >but his arrests, shootouts and >altercations made everybody feel that >he was another nigga on >the block He made the THUGS feel like he was one of them, not everyone was on that shit. That again is the realness argument, which can also be argued for a whole host of MC's, including Ice-T.
...juxtapose that with em, >puffy and jigga...definitely not the >same...people keep talking about the >emotions of the music, but >no one has spoken about >pac's relationship with listeners...at this >point he's hated by the >bush administration and he's moving >further away from mainstream acceptance >into the arms of his >admirers..he seemed to shun the >"establishment"..the movie "juice" solidified his >status as the nigga on >the block...the new album was >angrier and had more social >criticism than the last..he was >consistent bringing the same themes >only bigger and louder.."holler if >ya hear me" for the >hardheads, "keep your head up" >for the ladies and "i >get around" was the party >anthem...his start status is rock >solid, he survived the sophomore >jinx, did a movie, got >a lotta press and seemed >larger than life because he >was original I hear you with the Puff and Jigga argument, but how is that NOT the same as Eminem? That's exactly what Eminem did (except the movie). The emotions in the rhyme argument is faulty in my opinion, because cats like MOP, Busta Rhymes, Onyx did the same thing with the emotion in their rhymes, and (if that's the sole argument), they would also have to be considered (especially Busta Rhymes)
>throughout 94-95 everybody's favorite thug had >a lot of drama >..at this point in the minds >of the people he's like >LL in 86-87 >sex symbol but still hardcore..imagine if >L hadn't fell off..that's where >pac is, plus jail and >getting shot..this makes him the >first emcee with pop status >and street cred since run >and them... The realness argument, I addressed my opinion above
"me against the world" >was the first midnite release >that i remember in my >town....everybody wanted to know what >he had to say...not only >that he dropped "dear mama" >a month before...no artist ever >did a song about they >mama...definitely some sissy shit....this album >changed the game...the album's theme >was crystal...this was hiphop's "what's >goin on"...damn near every song >was vulnerable, thoughtful, subtle social >critiques and extremely personal...sonically, it >was way above his previous >shit....and in my opinion his >greatest lp By being the first, does that mean it's the greatest? And the second part of your argument I can't argue with, because I haven't listen to that album in a very long time. I'll have to listen to it again, but at first listen, I wasn't very impressed. I never liked Dear Mama, but that's me, I can't speak for everyone. I've heard all of his albums (only purchased 1 ) and to me, he's average at best.
>i could go on, but what's >the point....if u don't get, >u don't get it...if u >think there's more to emceein >than what he did in >his short career then your >album probably went double wood The point that people make is that people say Pac's the greatest MC because of his social status, not because of his lyrics. People seem to set a different standard for Pac...I can name countless arguments where people make an exception for Pac "It's not what he said, but how he said it", but yet that can't be argued for anyone else. Hit Em Up sucked in my opinion as a battle rhyme, he just sounded pissed...anyone can sound that pissed. I've heard so much better, but people argue that's the greatest battle rhyme because he sounded so angry. I've heard better in verbal arguments, that doesn't make it the best.
My opinion is that he's far from the greatest MC, simply because of the factors of being an MC, I've heard better all across the board...if you like him, fine, but the problem lies not in people liking him, but the arguments they use
And then there are the dickriders, but that's a whole nother post
Peace Rex
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