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This is long...here we go.
>Do you really think Jay's production >on the Pharcyde's second album >was that influential?
No, I think it was very good production, and if you listen to it now, you can definitley tell that more good things was going to come from this new producer on the scene.
>>Now you listen to any >>East Coast/So Called Real Hip >>Hop records and you hear >>the influence (yes even with >>The Soulquarians productions).
>another overstatement. the overwhelming production influence >in east coast hip-hop now, >as far as imitation, IMO, >is Primo. It's to the >point where reviewers have created >the adjective "Primo-esque".
I agree. What I'm talking about is the bounce that is put into tracks now. Before dude came on the scene it was all samples, hard drums, and filters, etc. Jay isn't the first to make his tracks bouncy, he's the most consistent. Now that heads are feeling that type of stuff you hear it a little bit more in Hip Hop productions
> Producers >>like 88 Keys (who the >>fuck is this sitting in >>my session man), Shawn J.Period, >>J. Rawls, and others are >>all so obviously influenced by >>Mr. Yancey
>name the others, because those 3 >guys are responsible for VERY >LITTLE of the east coast >production output.
DJ Scratch for starters. Listen to any of his shit from "Funky Piano" to any of his Flipmode productions to "Keep Your Worries", there's a drastic difference. He started out just samples & drums. Jay Dee & Scratch both worked on Busta's debut solo shit, after all that of Scratch's productions had that infamous bounce. Next up, and I know that this might start some shit...The Grand Negaz/Soulquarians. Even though Jay rolls with them now, "Don't See Us" was one of the first bouncy Roots tracks that had that feel/influence I'm talking about. That album is the same project that had "Dynamite" on it, thus forming the relationship of the two beat camps.
>> However, if you didn't >>know that he did all >>of those tracks, one could >>easily believe that Jay Dee >>did some production/or had some >>say on that release.
>I never thought that. "Good Mourning" >is the closest thing to >Jay that I hear on >there and when I heard >it, I didn't think Jay >did it.
"This Means You", "The Blast", "Too Late", "On My Way" "Eternalists", & "Touch You" to me are all "JayDee-sque", listen to them again.
>> He >>uses the same drums, and >>that's why it's so easy >>for other producers like Hi-Tek, >>Curt Cazal, Alchemist, Evidence, and >>any other East Coast influenced >>producer to copy his shit.
>Isn't this supporting my argument that >Primo, not Jay, is the >driving influence of most producers >seeking the "east coast hardcore" >sound?
You're right, and I'm right. Remember Jay Dee is from the Mid West, so it would take a while for our sound to catch on. In a few years you'll be able to say the same shit about him being an influence of most producers seeking that sound. Don't get me wrong, Premo is one of the illest, but he needs to switch something up, he's been using the same drum patterns/sample styles since 97 (A Million & One Questions, So Ghetto, It's Been A Long Time, Rap Phenomenon, Everyday, etc). Even though, his shit is hot, it's very predictable.
>> On that issue >>I totally agree with Quest, >>DJ Premier is overrated.
>1) I have never seen/heard Quest >say this. >2) How can a man be >overrated when everyone and their >grandmother is trying to copy >his sound? Premier is fairly >rated. He has 10 years >worth of bangers and continues >to bring it. He deserves >the accolades. Listen to the >2CD Gangstarr retrospective and notice >that "All 4 The Ca$h", >a new beat, competes with >any track on there for >quality. Now that's longeveity in >the game.
Quest didn't say that, I did. Premier has the track record, that we know & that ain't the issue. I'm saying that a deejay (such as myself) could make a Premier mixtape, and not really have to change the tempo on the 12's. The drums are the same damn near on every record he does. The way he chops & delays samples are damn near the same on every record he produces. It doesn't matter if the beat is slow or fast (Face Off 2k1, All For The Cash, and others) strip it all down and it's the same shit. That's why I say he's overrated.
>>As for Pete Rock, he can >>still catch wreck when he >>wants to.
>Today's understatement of the week.
Will you please explain what do you mean by "understatement of the week".
>You didn't cite a wack Pete >beat, by the way.
You tell me.
>>As for Dre, This is my >>dog. He may have >>flunkies doing all of the >>work for him now, but, >>don't sleep.
>Fuck that, if he has flunkies >doing his work AND IT >STILL TAKES HIM YEARS TO >FINISH RECORDS, I'm fucking sleeping. >If every hip-hop producer took >7 years between (solo) albums, >with very little work in-between >(AND has other cats co-producing), >it's not so hard to >make two classic (production) albums.
Dre is like the fucking Quincy Jones of Rap producers right now. I'm not saying that it's cool to take other people's credit, that's foul. However, let's not be stupid either. If an up & coming producer had the chance to work with Dre, and only got credit for playing "Keyboards", when he really did the track, what would he do? Scott Storch took the credit, and now he's getting more work outside of The Roots because of his association of just playing "Keyboards". Like I said, Dre is one of those motherfuckers where it's an honor to be associated with them. Sometimes people have to do things they don't want to in order to get ahead in life & business. Eventually, the ghost producers will get their's...Look at Mel-Man.
>Between Chronic 1 and 2, Dre >did Doggystyle, two tracks for >Tupac, "been there done that", >"east coast killaz, west coast >killaz" (did he do that >beat????) and that's it, right? >very little output for a >7 year span of time. >if you average it out, >dude is probably doing about >6 beats a year INCLUDING >beats he gets other people >to help on. I gotta >deduct points on that low >level of output...
You forgot NAS, Scarface, The Firm, Eminem, the lost tracks on Last Emperor, the lost King Tee album, The Snoop reunion, the Xzibit shit, and I believe he actually started working on a Chronic 2 when he was with Death Row, but stopped because he stepped. I agree, from the Fall 92 to Fall 99 is a long time to release your second classic solo album.
>Pete Rock seemingly disappeared as well >between Main Ingredient and his >solo album, doing only a >few beats here and there >(most notably for Nas and >Rakim).
Pete needs to get paired back up with the big name MC's. He's been doing too much underground shit for cats that ain't about to blow no time soon. With that said, the heads that really care ain't hearing the stuff he's doing. The joints he did with Phife, Bumpy Knucks, and Big L was cool. Like I said, don't sleep on PR, he can still bust a fool in the head. You'll see when the PR/Bumpy Knuckles album drops next year.
Whew that was long. Holla back.
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