8. "you mean as far as jerking producers for payment?" In response to In response to 4
i think i've heard that too. (maybe from people in The Lesson)
But even in the Kenny Parker, BDP days I wouldn't call the production of the music the selling point of KRS-ONE. it was always Kris wildin' out for 3 and half minutes over a beat.
he really deserved a bigger budget for music (if he was indeed jerking people.) and an executive producer to guide his sound. if he did an album with Premier...