2967918, Brian Wilson's modular approach Posted by cbk, Fri Jun-17-16 05:28 PM
In addition to the wall of sound, I really got into how Brian recorded and pieced together separately recorded sequences of music. Or, having a sequence of "walls" placed one after another to make a song. "Good Vibrations" is the most popular example of this, as is the entire "Smile" album.
When I was on my MPC, a had an epiphany that he was basically making all these .seq loops and putting them into "song mode". That's how I connected his work to hip hop--basically every MPC user is incorporating his methods.
Specific producers, yeah Bomb Squad, DJ Shadow, Dangermouse, etc. Oh and The Avalanches (can't wait for the new album!!!).
EDIT: just wants to re-emphasize The Avalanches. Their stuff is DENSE.
Personally, I'm obsessed with making dense wall-of-sound beats. I LOVE that shit. Nothing feels better than finding like 20+ samples that work together. I start sparse and build to a climax.
Here's a couple examples from me...
https://chrisp.bandcamp.com/track/4-afeni-and-pac-phone-2-your-heartz
https://chrisp.bandcamp.com/track/year-of-the-horse
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