https://soundcloud.com/djfunkflexapp/meek-mill-feat-quentin-miller-wanna-know-prod-by-jahlil-beats-swizz-beatz

I still trying to figure out how he knew Drake was talking about him since Drake mentioned no name.

Anyway the beat is fire but I don't know if this is going to cut it. If this was what took him a week to put together... he might lose this shit. He needs to go out on his sword. I need guntalk punchlines and threats. Not this bossip shit

But it wasn't great either.... and since he started the whole thing I was expecting a lot more than that.

>I still trying to figure out how he knew Drake was talking
>about him since Drake mentioned no name.

He can backtrack at any point now!

Was it TIP?

this was the most intriguing part. I have so many questions.

if this is all there is?

maaaaan.

from The Education of Sonny Carson
Meek is mumble mouthed like a muhfucka.

and the pic Drake just posted on IG https://instagram.com/p/5yONhDDQEG/?taken-by=champagnepapi

...his career.

__
I don't like the beat anymore because its just a loop. ALC didn't FLIP IT ENOUGH!

Flip it enough? Flip these. Flip off. Go flip some f*cking burgers.(c)Kno

Allied State of the National Electric Beat Treaty Organization (NEBTO)

You can tell both these guys will be releasing more tracks in the coming weeks to heat things up.

Drake was clearly testing waters with his tracks to get a temperature on Meeks response.

And Meeks response ended pretty abruptly after a beat switch that is likelythe beginning of his 2nd round....

I can also tell from the spirit of the rhymes that both guys are sparring... They battling for supremacy... It ain't some deep rooted hatred that will spill into the streets.

Things are about to get interesting....

this will be long and drawn out.

Drake doesn't really even have to reply anymore. If he has another track better than this he needs to drop it right now. This wasn't a chess move at all. This was a dud.

Why play all of your cards at once?
It would've been cool if meek played a snippet
Of each reference in his upcoming diss records
But now that we've heard these it won't pack a punch


I liked when he dropped the "know yourself" snippet in his track
It threw me off like ohhh shit they weren't bluffing what else do they have?
Well never mind flex dropped the remaining ones...

But whose to say these are the only ones

Meek did ok tho

Even the undertaker sample didnt turn out to be a good beat. Just awful all around and the public is letting him know this aint it.

He didn't.

This was terrible.

Its a cautionary evolutionary trait

Both of them are still alive.


>Its a cautionary evolutionary trait

https://instagram.com/p/5yONhDDQEG/

http://genius.com/7475567/Meek-mill-wanna-know/I-just-wanna-know-how-a-nigga-on-instagram-with-50-thousand-followers-aint-got-no-money-in-real-life-still-popping-i-just-wanna-know

Complete with annotations n shit... I'm more impressed with the lightning speed updates of the site than anything meek said

Or drizzy cud finish meek...and im no drake guy...just think drizzys punchlines hv bn far more disrespectful

Since 1976

>
Nah I'm at wrk on a bullshit cell...lol..just wantd add my 2cent wit yall niggas..lol

>Or drizzy cud finish meek...and im no drake guy...just think
>drizzys punchlines hv bn far more disrespectful

That mush mouthed flow was throwing me off and the lyrics were too damn basic. With all the time he took, them rhymes should've been flames. Instead they went down in flames.



Since 1976

'cause I'm thinking I need to go down to Barnes and Noble to pick up a copy of "Mushmouth For Dummies" to understand this shit.


---------------------------

"Where was the peace when we were getting shot? Where's the peace when we were getting laid out?
Where is the peace when we are in the back of ambulances? Where is the peace then?
They don't want to call for peace then.

.

.

oops. i meant mills lane, not joe mills (i was thinking it was joe mills)

real talk..that motherfuker was theeee shit....dam yo ass old...me too

hahahahahhahaa

lol

.

Yeah, Amil was nice. :)

.

and had drake shootin at meek. shit was HILARIOUS

Let's not act like this track touches either of the tracks Drake released. Meek was better off not responding than coming with this.

Are these the mythical battle bars Meek was supposed to bring? I don't see the appeal of this track at all.

https://www.youtube.com/watch?v=YiRAI9vdvQs
https://www.youtube.com/watch?v=YHqztxQ6mKU
https://www.youtube.com/watch?v=cdp0-ceqenM

hmmm

who wrote back to back

to go from that BS charged up to Back to Back

IDK fam, feels like he used a ghostwriter for his diss track

IMO.

but this settles everything for me

Meek called him on his BS

he lied

they lied

we got the truth

folks are gonna do what they want with it.

And subject matter. And of course the beat. It's not like he transformed into Jadakiss.

the lyrics

got it.

Both tracks sound like drake is what I'm saying. Just different tones

... from Fade to Black:

https://www.youtube.com/watch?v=PdyyNJcNavw&feature=youtu.be&t=1m57s

I guess Hov's status is impacted since y'all counting hooks and a isolated bars as a way to deny credibility.

There are more than five credited people on each song on TPAB so I guess that means Kendrick isn't the artist y'all say he is.
https://en.wikipedia.org/wiki/To_Pimp_a_Butterfly#Track_listing

Now that's out the way let's talk about this shit:

YALL NIGGAS GASSED OVER FOUR BARS AND HOOKS?! ALL OF Y'ALL CAN FUCK OFF DISCREDITING DRAKE OVER THIS SHIT.

Used to is a track off a Wayne mixtape so that doesn't count.

Meek made it seem like Quentin wrote all of RICO which is clearly not the case because there are three bars between the reference and final version.

IF Quentin spit "theres not much to say fam, they told me to tell yu yu manz are some wastemans" THEN Drake has a credibility problem because that's Toronto slang according to my friends.

The only legit argument one can make is Drake wrote the raps and had Quentin spit them in the booth so they could get a feel for the track.... FOR A GRAND TOTAL OF 30 MINUTES. For all we know, Drake laid down a rough verse, brought Quentin in to give his take on the verse, and Drake completed the song.


Flex has to come with more proof than this. Any radio station jihading against the popular artist of the moment out of some fake allegiance to hip-hop is bullshit ESPECIALLY hot 97.

>The only legit argument one can make is Drake wrote the raps and had Quentin spit them in the booth so they could get a feel for the track.... FOR A GRAND TOTAL OF 30 MINUTES. For all we know, Drake laid down a rough verse, brought Quentin in to give his take on the verse, and Drake completed the song.

and Jay shouted him out on the fucking song

and Ye was signed by the Roc...

The producer of the beat ALWAYS has input into how the song is put together. Its like you have no clue how hip hop works...smh


and why the fuck do you keep adding ultimatums like "the only way its suspect is if it was a half moon, Drake had on a fitted and QM spent the night at his crib"

Why would Drake write a rhyme and ask dude to spit it first so he could get an idea of how to ride the beat?

More L's for ou my nigga

>and Jay shouted him out on the fucking song
>
>and Ye was signed by the Roc...
>
>The producer of the beat ALWAYS has input into how the song is
>put together. Its like you have no clue how hip hop
>works...smh

NOOOOPPEEEE, don't care Yeezy gave Hov help so it's possible to question Hov.

>
>
>and why the fuck do you keep adding ultimatums like "the only
>way its suspect is if it was a half moon, Drake had on a
>fitted and QM spent the night at his crib"

It's the truth that's why. This was a throwaway mixtape so this doesn't count as far as hurting Drake's legacy or status. There are five plus writers on each song on TPAB and no one questions Kendrick so this is a witch hunt.

>
>Why would Drake write a rhyme and ask dude to spit it first so
>he could get an idea of how to ride the beat?

Drake is a charitable guy that's why. Drake on some fairy godfather shit taking dudes out of minimum wage jobs and giving them a chance to live their dreams.

I keep winning so fuck all that shit you talking about.

It wont matter in the long run but I wouldnt be surprised if he been ghostwriting for a looong time for Drake.

This dude Meek....I want those 4 mins of my life back...Might as well GOON it up....

.

Stuck with his #yellraps style which is kinda terrible for this kind of battling
Even if he said some dope shit, it got lost in the monotony of yells

not sure when it's from, and I'm really only talking about the first verse, but this new shit is laaaaaaame.

Drake W unless shit gets real, but at this point if I were Drake I'd drop it and let Meek make himself continue to look bad.

~~~~~~~~~
"This is the streets, and I am the trap." � Jay Bilas
http://www.popmatters.com/pm/archive/contributor/517
Hip Hop Handbook: http://tinyurl.com/ll4kzz

I like this song though..

but that back to back shit drake did was pretty cold...

meek need to come more direct at dude...

Besided that he's soft and allegedly doesn't write his own shit? The same shit folks been saying about Drake for years?

lets be honest. this is a fixed fight. it was over the minute casual hip hop listeners and drake fans made it clear that they aint bothered by the fact drake doesnt pen all of his own material and recruits outside help.

in any other real rap battle, that would be the trump card. the finisher.

but meek underestimated how low standards are for todays audience and how heavy the machine is behind drake. "fans" and media dont care about creation, craft,and culture...they just care about commodity...how socially/commercially relevant the end product is. and the majority of them just align themselves with whatever is "in" or "hot".

drake has nonrelated brands coming out the woodwork and jumping into the fray just to increase their social profile.
https://twitter.com/Whataburger/status/626959149075595264
https://twitter.com/Brazzers/status/626964172010586113

theres no way meek could compete with that. no matter how hot his response(s) coulda been.

statement

"it was over the minute casual hip hop listeners and drake fans made it clear that they aint bothered by the fact drake doesnt pen all of his own material and recruits outside help.

in any other real rap battle, that would be the trump card. the finisher.

but meek underestimated how low standards are for todays audience and how heavy the machine is behind drake. "fans" and media dont care about creation, craft,and culture...they just care about commodity...how socially/commercially relevant the end product is. and the majority of them just align themselves with whatever is "in" or "hot"."

that is part of it, no doubt

alot of correlation to Drake using reference tracks and hip hop going pop

but one thing I will say, and I don't think anybody would argue

even if he is just using Quentin's graft

it does sound better, IMO.

the jawns could be word for word identical

and Drake's version would just sound better.

and I might even be alright with all of that in the end

if they ain't lie about it

you ain't gotta lie Aubrey

he coulda just been like, yeah, so!

but he's still trying to convince everybody he's a real G or something

and that's what will never sit right with me IRT Aubrey.

own your truth

to navigate through the biz the way he's done over the past 6 years or so does indeed take at least a LIL bit of G...right?





"Get ready..for your blessing..."

but this feels more culture vulture than anything, IMO.

I'm gonna say Meek even getting out of North Philly >>> Aubrey

and now having a #1 album >>>

product placement from a former child actor

$.02

.

Not even gonna sit here and pretend like meek understood or even thought about the logistics behind what he did.

so why not focus on the mainstream?

He was never seen as a real rapper because his narrative as an artist "half-jewish lightskinned Canadian actor" on top of his singing/emotional bars. Thus on the flip, if Drake really brought it Takeover/Ether style and it was found out that he didn't use ghostwriters, it STILL would have been received with a relative yawn for people who want to hate Drake because they hate Drake. So he might as well put out a bass heavy track that could get thrown in the middle of a set with solid passive aggressive swipes that, like its been pointed out in the other post, are aimed directly at his audience.

Meek figured that by proving he had a ghost rapper he could just sail his way through to a win. Its why he had said ghost rapper on the track in a hopeful ether moment (and I assume to get him is why it took days for this track to come out). He got lazy with them bars: his doesn't compare to his Dreamcatcher series or anything else he released before this last album.

Drake

he had ONE job

the pee pee line got people wanting to know more but the rest...zzz


that's literally what every big rap 'battle' had with the exception of the lox vs state property


Nobody cares who writes what....rappers (back in the day) ain't hood hero's ...the niggas back in the day weren't bout that life...at all...they were rappity rappin niggas...aka ...entertainers...which is why u got a former CO still in the top 10 for the past couple years

It's simply back of the bus/lunch table shit where the world is your high school

the thug went at the popular boy...popular boy clowned the thug...everybody laughed...waitin on the thug to respond...

and just like in school...if you aint come back witty/or exposing/or embarrassing the popular boy ...

u lost


especially when u started it

Even they spit a line harder than what Meek could conjure up.




Since 1976

LL won before Cannabis even dropped his track.

.

much more formidable adversaries...

That was Drake vs Ye's shooters... and 2 amazing MC's

Even though Stay Schemin' was fiya... King Push got em

Then Ye n Drizzy squashed it and all is well..

Both meek & drake have too many allies in this (Ross, Nicki) to REALLY go in I think...

huh?

on some jackin 4 beats type shit.

https://www.youtube.com/watch?v=3uFf2PRQyAc

from what I remember, Run-DMC's track was real dope and some of the others were alright but the quality fell off pretty hard. but I was also in 6th grade or something, maybe there are things going on with it now that I couldn't appreciate then. But some of the matches were just weird like Snoop on Steve Austin's music, and some of the beats were only tangentially related to the theme music. It kind of had a cheap No Limit style sound, too.

edit: here's the time stamp specifically for the Gangrel cut: https://youtu.be/3uFf2PRQyAc?t=1099


1. "The Kings" (by Run-D.M.C.) D-Generation X
2. "Wreck" (by Kool Keith and Ol' Dirty Bastard) Mankind
3. "Know Your Role" (by Method Man) The Rock
4. "Hell Yeah" (by Snoop Dogg and WC) Stone Cold Steve Austin
5. "No Chance" (by Redman and Rock of Heltah Skeltah feat. Peanut Butter Wolf) Vince McMahon
6. "I Won't Stop" (by C-Murder feat. Magic) Gangrel
7. "Big Red Machine" (by Tha Eastsidaz) Kane
8. "Break the Walls Down" (by R.A. the Rugged Man) Chris Jericho
9. "You Ain't Hard" (by Bad Ass and Techniec) New Age Outlaws
10. "Pimpin' Ain't Easy" (by Ice-T) The Godfather
11. "Game" (by Mystikal and Ras Kass) Triple H
12. "Big" (by Mack 10, K-Mac, Boo Kapone, and MC Eiht) The Big Show
13. "Ministry" (by Dame Grease Presents Meeno) The Undertaker


~~~~~~~~~
"This is the streets, and I am the trap." � Jay Bilas
http://www.popmatters.com/pm/archive/contributor/517
Hip Hop Handbook: http://tinyurl.com/ll4kzz

http://tinyurl.com/nfhm2oq

than this.

I'll be old. Lol

Fuckin Bill Cosby. Ruining everything.

>Fuckin Bill Cosby. Ruining everything.

Like THIS is all you know



Lmao poor fucks

they are very conflicted

I sent the reference track for RICO to one of my young bols

his Drake standom spun that to

oh, so Meek using Drake for reference tracks now

smh

I'm assuming that's how this how BS started

"He ain't even write that verse on my album and if I woulda knew I woulda took it off my album..... I don't trick my fans! Lol"

http://imgur.com/KyxI8Su

#millenialsLOST

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Sometimes I contemplate moving to a warmer place, then the lake and skyline give me a warm embrace" © Common

That's what I'm calling it from now on.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Sometimes I contemplate moving to a warmer place, then the lake and skyline give me a warm embrace" © Common

does it really matter?

wonder what bin's doing?
http://i.imgur.com/phECCMp.jpg

http://www.tubechop.com/watch/6527133

How can someone flip the Undertaker theme and still have the track come off sounding this weak?

Aggressive beat and pace, insults are pretty direct and fierce. It's not a classic but it at least fits the profile.

I am sure they will drag this out for the publicity. It's funny to me that people are still falling for the rap beef okeydoke in 2015.

LOL!

I love y'all niggas real talk
Some of y'all been posting here forever and have
Vast depths of knowledge of a variety of topics

But what's the point of saying
Boy they ain't spitting like they did in 94
Or boy the league is so soft if (insert rapper/nbaer) was playing in that era
He wouldn't be all that!

We all know this era of rap isn't like the 90s we get it
And I agree the rappers aren't that good

But saying that every chance you get
Makes y'all just as much of a sucker as meek
For tweeting "drake don't even write his raps!"

we are old or approaching old ness
Let the young niggas cook without being such a buzz killington

but most of the chances we get?

>

that down.
The seed has already been planted that she runs their relationship in every way, shape and form. Once her diss drops, the world will be talking about the fact that Nicki is a much better rapper than him. Can he handle that? It doesn't seem like he can.

I trust Nicki is monitoring the sitch closely & acting accordingly tho lol.

+ he borrowed 'let that $hit breathe' from Jay-Z

+ he borrowed The Education of Sonny Carson from GFK

+ he borrowed the Ghostwriter (WHO AINT REALLY A GHOSTWRITE CAUSE HE GOT CREDIT; GHOST RIDERS DONT GET CREDIT, DO THEY?)


speaking of ghostwriters...no one's mentioned that Treach wrote for Queen Latifah, or have they?

This shit is weak. I'm only a casual listener to either of these dudes, but Drake 'won'. Whatever. LOL

so why care that Q Miller wrote for Drake.

I was posing that query for all the purists who've been bringing up the 'Golden Era'.

I think it is interesting IRT authenticity

yes, others have used writers in the past

however

IRT Aubrey

authenticity was the knock on him from the door

no one questioned if the Queen was hip hop

you follow?

also

we now have 4 reference tracks from Quentin alone

= starting to get close to an album's worth

we already got an ep of songs he didn't write himself

it just brings up more questions

how much did he write, if any

yes, we're old

but Aubrey is getting close to PM Dawn ghostwriting for Milli Vanilli levels of fraud

IMO.

I also want to reiterate what started this BS

Aubrey got called to the carpet for spitting Quentin's verse on RICO

now, I'm gonna go ahead and assume that Meek's issue is that he was operating on the basis that he was collaborating with Aubrey

Aubrey comes in with the RICO parts

and Meek isn't aware that it's all Quentin

= Quentin is not listed as a writer on RICO as he is on 10 bands, etc...

that's plagarism, yes?

if it's not a big deal, why lie about it?

Your reaching...

Drake has had credited co-writers since So Far Gone

Trey...
The Weeknd..
Majid Jordan...
Hush..

He's never lied.. shit is listed..

No one takes anything away from Dre when we see that cats like Warren G and Daz produced the bulk of the Chronic? AND got no credit...

Cats still say Dr Dre is one of the best EVER

deny the allegation

as you said, it wasn't a problem giving the proper credit previously

why wasn't it given on RICO

and why try to deny it

from Meek's/MMG's perspective, doesn't that open them to poetential legal problems

Well...

It's on MMG to deal with those credits not OVO. They could've gone to print assuming it was just Drake but never checked..

There are no legal problems really either. listing a credit in a CD sleeve has nothing to do with royalties or publishing.

As long as publishing is cool it doesn't matter.

Could also be the argument that 2 lines didn't warrant enough for a listed credit.

There are a lot of people that do drums for beats that don't get co-production credit either. They are just listed as "Drum programming"

But there is no version of that for writing

Lol say what you want about his music but what you saw was what you got with that cat.



http://twitter.com/collazo

>Lol say what you want about THEIR music but what you saw was
>what you got with THOSE catS.

another aspect of this 'battle' that I think is getting lost

is that 'battling' was one of the founding pilars of hip-hop culture

IRT PM Dawn

if I remember correctly

the story was they got checked at a live show by KRS

and dipped, never to be heard from again

= fraud

Are you saying they were frauds?

If so, what was fraudulent about them?

And they didn't disappear to be never heard from again, btw

Because Drake supposed to be top dawg. You can't be having dudes write for you if you're supposed to be the best.

And I think dudes didn't care if Treach wrote for Latifah for sexist reasons. That's a whole different topic though.

No one is on the top alone..


Ever

So who was writing for Biggie and Pac?

We don't need to bring them anywhere near this... Pac isn't seen as a GOAT lyricist by most purists anyway.

But.. they both had crews to bounce ideas off of.

Drake and Ye are more similar than people will ever see. They are the maestro's of their respective camps. 40/Drake might as well be a production team in the way songs and ideas are created and executed. so imo they are more comparable.

Of all the beefs in the annals of Hip Hop history, this is how the new generation is doing it? I'm good.

I mean, not sure what the whole Wayne-Drake-Nicki situation is right now, but it would be BADDDDD if Meek really took deep dirt and used it against Meek, knowing that his girl is on current radio songs with him. Like, two pretty big ones at that. And even then, it may not really affect Drake, but could make a more interesting battle.

This doesn't feel shit like a diss track to me. And as said above, he really thought it was a bomb drop to expose Drake for not writing "Know yourself" but literally NOOOOOOOOOOOOOBODY gave a fuck, and that meant he had zero chance with this diss.

I think that goes both ways...

Between Nicki & Ross both parties have deep industry "friend" connections..

and no one wants to ever mess with J Prince or J Prince money so...

i mean you either go all in with a response or you just don't do anything. why even put out a record if you're going to hold back? it just looks bad.

i honestly think he just came up empty. he couldn't think of anything under all that pressure.

Nah.. BOTH of them are treading lightly...

a late dud at that. Meek's not clever enough to tread lightly. only thing he could have done is gone for the jugular or just walked away.

True.. hence his predicament..

and just clowned him on some playground/barbershop shit. he didn't even go that route.

He literally said nothing.

All Drake did was crack 'your boo is more famous then you' jokes and made them count.

He aint' gotta expose drake as the gay rapper, or go nuclear in some other way to do damage. Hell, id argue going 'nuclear' is what cost Jay-Z with super ugly. Having witty disses should be a no brainer.

it was basically Nas dissing the shit outta the most popular kid in school at the cafeteria table and we all went nuts. he didn't discredit him or expose anything about him, he just clowned him. Cam does that well too...he's funny as hell and will just clown you. let's bring it back to basics. I think the pressure got to Meek though.

>He aint' gotta expose drake as the gay rapper.

Drake didn't even diss him all that bad but it looks like he clowned the shit outta him because his response took so long and was weak when it finally dropped...Meek's also been spending too much time on IG and Twitter instead of going on wax. Pretty much everything he's done since Drake's response dropped has made him look bad.

in terms of really not being able to go hard.... drake and his girl are peoples....

he can't go too hard on Drake really....

his best bet really would be to kind of go beyond Drake...like... shit is so fukked up in society today on the streets, why am I worried about drake bitch ass...type of thing...

Drake says:
https://instagram.com/p/5yONhDDQEG/

Meek says:
https://instagram.com/p/5zhvCbikGY/

Drake got 'em but I am amazed at the amount of people that are cool with rappers having songs partially written for them. Even some of the older heads are cool with this.

>Drake got 'em but I am amazed at the amount of people that
>are cool with rappers having songs partially written for them.
>Even some of the older heads are cool with this.

for the sake of hip hop's integrity we need uphold the legacy of seminal and massively popular artists like NWA, will smith, kanye west, dr. dre, foxy brown, lil kim, mase, puff daddy, etc. if anyone collaborates with or writes for another rapper hip hop is completely doomed

NWA and Dre...everyone else was clowned. Will Smith in his Fresh Prince days wrote his shit. So he gets half a pass.

Foxy and Kim had club bangers and the whole world knew Jay and Big were writing their shit. They're partly responsible for this mess we got today but let's not front like we weren't kickin game to some club mamis when Ain't no nigga and Get Money were bumpin

Part of the mysoginy of hiphop...we expected less of them as MCs. Dre and Diddy get the producer pass. Will Smith got the "he's an actor" pass...nobody respected him as a hiphop artist anymore by that time...

NWA maybe just got the pass cause of how much time had passed by the time folks found out. I still don't really understand that one. People found out they weren't about that life (except Eazy) and didn't write shit (except Cube and Ren) and still got a pass. For that to happen when it happened makes no damn sense except that good music always wins. If your shit is dope enough people will forgive anything. Same reason Rawse got his pass.

>For that to happen when it happened makes no
>damn sense except that good music always wins. If your shit is
>dope enough people will forgive anything

hip hop is so amazing right now. major label albums are being compared to the classic literary works of authors of african ancestry (TPAB). veterans 20 years deep in the game are able to break into the mainstream without changing their sound and principles (RTJ). regionalism is as good as dead, with everyone taking inspiration from everywhere and the resulting melange of sounds is psychedelic, progressive, and still knocks. vocalizing is wildly experimental, with artists pushing the boundaries of prosody and rhythm over beats that have so much space that the artists are free to rap as much or as little as they want (new ATL). rappers are writing in earnest about formerly taboo subjects such as mental health and non-heterosexuality and finding audiences that identify with them

and yet, somehow, there are people in here and in the "back to back" post really worried about a pop rapper collaborating with writers when stuff like that has been going on in rap since the 80s. they're concerned with the beats not sounding as "hard" as they did 20 years ago while managing to ignore the fact that things always change irrespective of anyone's wishes. i just don't get it

https://twitter.com/rosettastone/status/627150068450258945

i don't think i've seen so many corporations take part in something like this. they're really riding this wave.

but also shows how main stream rap is...

maybe it's because it has played out over several days i've just never seen it spread this wide with something like this...can't think of a similar example.

companies tweeted bout snoop/iggy, nicki/taylor swift, etc.
but they referenced the situation in general.

these companies going right for meek neck.

so that makes sense

regardless of who side the "rest of twitter" was on.

that's what's bugging me out

Since 1976

LOL

http://www.mememaker.net/static/images/memes/357632.jpg

https://pbs.twimg.com/media/CLQSfdzUAAAAAiA.jpg

https://pbs.twimg.com/media/CLP_b-DUMAALi5P.jpg

nm

no holding back

I damn near wanna hear (or at least read) them spit/type a quick 16 with the amount of wit they've been showing.




Since 1976

that's not hip-hop.

This is some other shit, Fortune 500 companies spitting bars
Then again, the media managers at these companies came up during the illmatic and purple tape era too, so it makes sense.
But damm

20's that are the social media coordinators or whatever for certain companies.

when rap was going pop we were catering to those companies

I used to be a big from the first two dreamchaser mixtapes.


oh yes i remember now. his MMG debut was kinda wack outside of the opening track and the one about his pops.


why is he doing this to himself right now?
it's gonna do more harm to his career by drawing attention to his mediocrity.

https://www.youtube.com/watch?v=SiMwcHdZTaQ

i also wanna know why she went harder than her brother

____

TWITTER : Heinz21st

IG : H_N_Z

***
I'm tryna be better off, not better than...

if Drake sang over the track but his lyrics were all disses.

it might be a permanent rap for Meek at that point.

yea thats some sinister shit right there.

i like that.

i didn't even know about all the corporate tweets being posted in here (damn)
but i'm watching random shit like espn and cnn and they are even taking digs at meek
ppl from philly are going at him even
i like drake way more personally, but i am kind of surprised it's been this one sided

But unless his career actually ends like say Canibus or Ja then he hasn't lost as bad as they did.

http://genius.com/Drake-back-to-back-lyrics

http://genius.com/Meek-mill-wanna-know-lyrics

Reading the breakdown of the lyrics it seems Meeks diss was better on paper.

.

Undertaker on twitter claiming he's going to sue Meek for using his entrance music in the diss record.

DJ Drama sold the reference tracks to Meek's camp because IYRTITL was supposed to be a Gangsta Grillz mixtape.
http://www.24urban.com/news/did-dj-drama-sell-drakes-reference-tracks-to-meek-mill

Nicki dumped Meek?! Nah, I refuse to believe it because that gives Drake more ammo.

That pissing line in the Drake diss is fabricated:
http://www.missinfo.tv/wp-content/uploads/2015/07/mto.jpg

@schweinbeck a manager from Atlanta that knows Quentin Miller is saying on Twitter that Meek asked Miller to help him write and QM said no and Meek got pissed.
https://twitter.com/schweinbeck/status/627202241993289728

Even more corporations clowning Meek:
https://bossip.files.wordpress.com/2015/07/ham-helper-meek-2.png
https://bossip.files.wordpress.com/2015/07/ne-career.jpg

Allegedly Louie V Gutta ghostwrote for Meek.

Finally, there's a third Meek diss.

Drama would be pretty stupid for doing that...how big could the chech have been? Def not big enough to fuck up that connect

>Drama would be pretty stupid for doing that...how big could
>the chech have been? Def not big enough to fuck up that
>connect

Drama agreed to do a mixtape for the Breakfast club and backed out without telling Envy.

http://thejasminebrand.com/2014/04/11/awkward-much-dj-envy-confronts-dj-drama-breakfast-club-interview/

At least Drake told Drama but Drama screwed Drake over. Meek had to give Drama a few million at least to do this.

unless he's tryna be broke in a year

>Meek had to give Drama a few million at least to do this.

Sources close to the situation say Meek Mill paid DJ Drama millions for the reference tracks.